The Shakespearean International Yearbook
20: Special Section, Pericles, Prince of Tyre
Herausgeber: Bishop, Tom; Williams, Deanne; Joubin, Alexa Alice
The Shakespearean International Yearbook
20: Special Section, Pericles, Prince of Tyre
Herausgeber: Bishop, Tom; Williams, Deanne; Joubin, Alexa Alice
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The twentieth volume of The Shakespearean International Yearbook focuses on Pericles, Prince of Tyre, a play long neglected, which has recently seen renewed interest. The volume provides twelve essays on the play and its history, and also includes a review essay covering selected works of recent Shakespeare criticism
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The twentieth volume of The Shakespearean International Yearbook focuses on Pericles, Prince of Tyre, a play long neglected, which has recently seen renewed interest. The volume provides twelve essays on the play and its history, and also includes a review essay covering selected works of recent Shakespeare criticism
Produktdetails
- Produktdetails
- Verlag: Routledge
- Seitenzahl: 324
- Erscheinungstermin: 22. Dezember 2023
- Englisch
- Abmessung: 229mm x 152mm x 21mm
- Gewicht: 626g
- ISBN-13: 9781032437163
- ISBN-10: 1032437162
- Artikelnr.: 69113635
- Verlag: Routledge
- Seitenzahl: 324
- Erscheinungstermin: 22. Dezember 2023
- Englisch
- Abmessung: 229mm x 152mm x 21mm
- Gewicht: 626g
- ISBN-13: 9781032437163
- ISBN-10: 1032437162
- Artikelnr.: 69113635
General Editors: Tom Bishop, Professor of English, Emeritus, University of Auckland, New Zealand Alexa Alice Joubin, Professor of English, George Washington University and Research Affiliate, MIT, USA Guest Editors: Deanne Williams is Professor of English and Theatre Studies at York University Tom Bishop, Professor of English, Emeritus, University of Auckland, New Zealand
List of Figures
Preface
Tom Bishop and Alexa Alice Joubin
General Editors
List of Contributors
Part I: Special Section: Pericles, Prince of Tyre
Special Guest Editors:
Deanne Williams, York University, and Tom Bishop, University of Auckland
1. Introduction
Deanne Williams, York University, and Tom Bishop, University of
Auckland
2. Whose Pericles, and Why, and When?
Stephen Orgel, Stanford University
3. The Excesses of Romance: Shakespeare's Pericles and the Baroque
Robert Hudson Vincent, Harvard University
4. Hrotswitha of Gandersheim, Pericles, Prince of Tyre, and Humanist
Girlhood
Deanne Williams, York University
5. Eater and Eaten, Feeder and Fed: Intercultural Consumption in
Pericles
Stephen Cohen, Central Connecticut State University
6. Pericles and the Sea of Things
Andrew S. Brown, Dalhousie University
7. Pericles and the Primacy of Movement
Tonhi Lee, Tufts University
8. "The purchase is to make men glorious": Pericles on the Stuart Court
Stage
Gabriel Lonsbery, Purdue University
9. Inscribed Props and Daughters in Pericles
Bernice Mittertreiner Neal, York University
10. Musicking the Spheres in Pericles
Jennifer Linhart Wood, George Mason University
11. Pericles Comes to America
Tom Bishop, University of Auckland
12. Line Dancing, Belly Dancing, and Martial Arts: Staging the Soldiers'
Dance in Pericles
Linda McJannet, Bentley University
13. Productions of Pericles, Prince of Tyre, 1900-2020: a checklist
Tom Bishop, University of Auckland
Part Two: Recent Literature Review
14. Intersectional Shakespeare: the State of the Field, 2020-21
Nicole A. Jacobs, California Polytechnic State University
Index
Preface
Tom Bishop and Alexa Alice Joubin
General Editors
List of Contributors
Part I: Special Section: Pericles, Prince of Tyre
Special Guest Editors:
Deanne Williams, York University, and Tom Bishop, University of Auckland
1. Introduction
Deanne Williams, York University, and Tom Bishop, University of
Auckland
2. Whose Pericles, and Why, and When?
Stephen Orgel, Stanford University
3. The Excesses of Romance: Shakespeare's Pericles and the Baroque
Robert Hudson Vincent, Harvard University
4. Hrotswitha of Gandersheim, Pericles, Prince of Tyre, and Humanist
Girlhood
Deanne Williams, York University
5. Eater and Eaten, Feeder and Fed: Intercultural Consumption in
Pericles
Stephen Cohen, Central Connecticut State University
6. Pericles and the Sea of Things
Andrew S. Brown, Dalhousie University
7. Pericles and the Primacy of Movement
Tonhi Lee, Tufts University
8. "The purchase is to make men glorious": Pericles on the Stuart Court
Stage
Gabriel Lonsbery, Purdue University
9. Inscribed Props and Daughters in Pericles
Bernice Mittertreiner Neal, York University
10. Musicking the Spheres in Pericles
Jennifer Linhart Wood, George Mason University
11. Pericles Comes to America
Tom Bishop, University of Auckland
12. Line Dancing, Belly Dancing, and Martial Arts: Staging the Soldiers'
Dance in Pericles
Linda McJannet, Bentley University
13. Productions of Pericles, Prince of Tyre, 1900-2020: a checklist
Tom Bishop, University of Auckland
Part Two: Recent Literature Review
14. Intersectional Shakespeare: the State of the Field, 2020-21
Nicole A. Jacobs, California Polytechnic State University
Index
List of Figures
Preface
Tom Bishop and Alexa Alice Joubin
General Editors
List of Contributors
Part I: Special Section: Pericles, Prince of Tyre
Special Guest Editors:
Deanne Williams, York University, and Tom Bishop, University of Auckland
1. Introduction
Deanne Williams, York University, and Tom Bishop, University of
Auckland
2. Whose Pericles, and Why, and When?
Stephen Orgel, Stanford University
3. The Excesses of Romance: Shakespeare's Pericles and the Baroque
Robert Hudson Vincent, Harvard University
4. Hrotswitha of Gandersheim, Pericles, Prince of Tyre, and Humanist
Girlhood
Deanne Williams, York University
5. Eater and Eaten, Feeder and Fed: Intercultural Consumption in
Pericles
Stephen Cohen, Central Connecticut State University
6. Pericles and the Sea of Things
Andrew S. Brown, Dalhousie University
7. Pericles and the Primacy of Movement
Tonhi Lee, Tufts University
8. "The purchase is to make men glorious": Pericles on the Stuart Court
Stage
Gabriel Lonsbery, Purdue University
9. Inscribed Props and Daughters in Pericles
Bernice Mittertreiner Neal, York University
10. Musicking the Spheres in Pericles
Jennifer Linhart Wood, George Mason University
11. Pericles Comes to America
Tom Bishop, University of Auckland
12. Line Dancing, Belly Dancing, and Martial Arts: Staging the Soldiers'
Dance in Pericles
Linda McJannet, Bentley University
13. Productions of Pericles, Prince of Tyre, 1900-2020: a checklist
Tom Bishop, University of Auckland
Part Two: Recent Literature Review
14. Intersectional Shakespeare: the State of the Field, 2020-21
Nicole A. Jacobs, California Polytechnic State University
Index
Preface
Tom Bishop and Alexa Alice Joubin
General Editors
List of Contributors
Part I: Special Section: Pericles, Prince of Tyre
Special Guest Editors:
Deanne Williams, York University, and Tom Bishop, University of Auckland
1. Introduction
Deanne Williams, York University, and Tom Bishop, University of
Auckland
2. Whose Pericles, and Why, and When?
Stephen Orgel, Stanford University
3. The Excesses of Romance: Shakespeare's Pericles and the Baroque
Robert Hudson Vincent, Harvard University
4. Hrotswitha of Gandersheim, Pericles, Prince of Tyre, and Humanist
Girlhood
Deanne Williams, York University
5. Eater and Eaten, Feeder and Fed: Intercultural Consumption in
Pericles
Stephen Cohen, Central Connecticut State University
6. Pericles and the Sea of Things
Andrew S. Brown, Dalhousie University
7. Pericles and the Primacy of Movement
Tonhi Lee, Tufts University
8. "The purchase is to make men glorious": Pericles on the Stuart Court
Stage
Gabriel Lonsbery, Purdue University
9. Inscribed Props and Daughters in Pericles
Bernice Mittertreiner Neal, York University
10. Musicking the Spheres in Pericles
Jennifer Linhart Wood, George Mason University
11. Pericles Comes to America
Tom Bishop, University of Auckland
12. Line Dancing, Belly Dancing, and Martial Arts: Staging the Soldiers'
Dance in Pericles
Linda McJannet, Bentley University
13. Productions of Pericles, Prince of Tyre, 1900-2020: a checklist
Tom Bishop, University of Auckland
Part Two: Recent Literature Review
14. Intersectional Shakespeare: the State of the Field, 2020-21
Nicole A. Jacobs, California Polytechnic State University
Index