This year publishing its twentieth volume, The Shakespearean International Yearbook surveys the present state of Shakespeare studies, addressing issues that are fundamental to our interpretive encounter with Shakespeare's work and his time, across the whole spectrum of his literary output. Contributions are solicited from scholars across the field, from both hemispheres of the globe. New trends are evaluated from the point of view of established scholarship, and emerging work in the field is encouraged. Each issue includes a special section under the guidance of a specialist Guest Editor,…mehr
This year publishing its twentieth volume, The Shakespearean International Yearbook surveys the present state of Shakespeare studies, addressing issues that are fundamental to our interpretive encounter with Shakespeare's work and his time, across the whole spectrum of his literary output. Contributions are solicited from scholars across the field, from both hemispheres of the globe. New trends are evaluated from the point of view of established scholarship, and emerging work in the field is encouraged. Each issue includes a special section under the guidance of a specialist Guest Editor, along with coverage of the current state of the field in other aspects. An essential reference tool for scholars of early modern literature and culture, this annual publication captures, from year to year, current and developing thought in Shakespeare scholarship and theater practice worldwide. There is a particular emphasis on Shakespeare studies in global contexts.
General Editors: Tom Bishop, Professor of English, Emeritus, University of Auckland, New Zealand Alexa Alice Joubin, Professor of English, George Washington University and Research Affiliate, MIT, USA Guest Editors: Deanne Williams is Professor of English and Theatre Studies at York University Tom Bishop, Professor of English, Emeritus, University of Auckland, New Zealand
Inhaltsangabe
List of Figures
Preface
Tom Bishop and Alexa Alice Joubin
General Editors
List of Contributors
Part I: Special Section: Pericles, Prince of Tyre
Special Guest Editors:
Deanne Williams, York University, and Tom Bishop, University of Auckland
Introduction
Deanne Williams, York University, and Tom Bishop, University of Auckland
Whose Pericles,and Why, and When?
Stephen Orgel, Stanford University
The Excesses of Romance: Shakespeare's Pericles and the Baroque
Robert Hudson Vincent, Harvard University
Hrotswitha of Gandersheim, Pericles, Prince of Tyre, and Humanist Girlhood
Deanne Williams, York University
Eater and Eaten, Feeder and Fed: Intercultural Consumption in Pericles
Stephen Cohen, Central Connecticut State University
Pericles and the Sea of Things
Andrew S. Brown, Dalhousie University
Pericles and the Primacy of Movement
Tonhi Lee, Tufts University
"The purchase is to make men glorious": Pericles on the Stuart Court Stage
Gabriel Lonsbery, Purdue University
Inscribed Props and Daughters in Pericles
Bernice Mittertreiner Neal, York University
Musicking the Spheres in Pericles
Jennifer Linhart Wood, George Mason University
Pericles Comes to America
Tom Bishop, University of Auckland
Line Dancing, Belly Dancing, and Martial Arts: Staging the Soldiers' Dance in Pericles
Linda McJannet, Bentley University
Productions of Pericles, Prince of Tyre, 1900-2020: a checklist
Tom Bishop, University of Auckland
Part Two: Recent Literature Review
14. Intersectional Shakespeare: the State of the Field, 2020-21
Nicole A. Jacobs, California Polytechnic State University
