Covering a range of topics, settings and styles, the book offers the first comprehensive study of short fiction from the First World War.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Ann-Marie Einhaus is Lecturer in Modern and Contemporary Literature in the Department of Humanities at Northumbria University. She is the co-editor of The Penguin Book of First World War Stories (2007) and has published articles on First World War writing, modernism and canonization in journals such as Literature and History, Modernist Cultures, and Zeitschrift für Anglistik und Amerikanistik.
Inhaltsangabe
Acknowledgements Introduction 1. Canon, genre, experience, and their implied reader 2. The war in the magazines 3. Post-war publication and anthologisation 4. Negotiating disaster in popular forms 5. Narrative rehearsals of moral and ideological alternatives 6. Commemorative narratives and post-war stories Notes Bibliography Index.
Acknowledgements Introduction 1. Canon, genre, experience, and their implied reader 2. The war in the magazines 3. Post-war publication and anthologisation 4. Negotiating disaster in popular forms 5. Narrative rehearsals of moral and ideological alternatives 6. Commemorative narratives and post-war stories Notes Bibliography Index.
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