In twenty succinct chapters, the study paints a complete portrait of the short story - its history, culture, aesthetics and economics. European innovators such as Chekhov, Flaubert and Kafka are compared to British practitioners such as Joyce, Mansfield and Carter as well as writers in the American tradition, from Hawthorne and Poe to Barthelme and Carver. For the first time attention is paid to experimental, postcolonial and popular fiction, while developments in Anglo-American, Hispanic and Arabic literature are also explored. Critical approaches to the short story are debated and…mehr
In twenty succinct chapters, the study paints a complete portrait of the short story - its history, culture, aesthetics and economics. European innovators such as Chekhov, Flaubert and Kafka are compared to British practitioners such as Joyce, Mansfield and Carter as well as writers in the American tradition, from Hawthorne and Poe to Barthelme and Carver. For the first time attention is paid to experimental, postcolonial and popular fiction, while developments in Anglo-American, Hispanic and Arabic literature are also explored. Critical approaches to the short story are debated and reassessed, while discussion of the short story is related to contemporary critical theory. In what promises to be essential reading for students and academics, the study sets out to prove that the short story remains vital to the emerging culture of the twenty-first century.
Paul March-Russell is Honorary Lecturer in Comparative Literature at the University of Kent, Canterbury. He is also Commissioning Editor of the Critical Studies in Science Fiction series with Gylphi. His other publications include Ruskin in Perspective, co-edited with Carmen Casaliggi (Cambridge Scholars Publishing, 2007), and an edited volume of May Sinclair's Uncanny Stories (Wordsworth Editions, 2006). He is currently editing George Egerton's The Wheel of God (Pickering and Chatto, forthcoming) and writing a study of the Neo-Romantic movement, 1925-55.
Inhaltsangabe
Acknowledgements List of Illustrations Preface 1: Origins: From Folk-Tale to Art-Tale 2: Riddles, Hoaxes and Conundrums 3: Memory, Modernity and Orality 4: Poe, O. Henry and the Well-Made Story 5: Economies of Scale: The Short Story in England 6: Brought to Book: The Anthology and Its Uses 7: Between the Lines: Dissidence and the Short Story 8: Enclosed Readings: The Short Story and the Academy 9: Modernism and the Short Story 10: The Short Story Cycle 11: Character Parts: Identity in the Short Story 12: Localities: Centres and Margins 13: Tales of the City 14: Romance and the Fragment 15: Ghost Stories and Other Hauntings 16: Popular Short Fictions 17: The Experimental Text 18: Postmodernism and the Short Story 19: Minimalism/Dirty Realism/Hyperrealism 20: Voyages Out: The Postcolonial Short Story Bibliography Index.
Acknowledgements List of Illustrations Preface 1: Origins: From Folk-Tale to Art-Tale 2: Riddles, Hoaxes and Conundrums 3: Memory, Modernity and Orality 4: Poe, O. Henry and the Well-Made Story 5: Economies of Scale: The Short Story in England 6: Brought to Book: The Anthology and Its Uses 7: Between the Lines: Dissidence and the Short Story 8: Enclosed Readings: The Short Story and the Academy 9: Modernism and the Short Story 10: The Short Story Cycle 11: Character Parts: Identity in the Short Story 12: Localities: Centres and Margins 13: Tales of the City 14: Romance and the Fragment 15: Ghost Stories and Other Hauntings 16: Popular Short Fictions 17: The Experimental Text 18: Postmodernism and the Short Story 19: Minimalism/Dirty Realism/Hyperrealism 20: Voyages Out: The Postcolonial Short Story Bibliography Index.
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