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Lord Swayne owned a well-protected castle on a particularly strategic stretch of the English coast. A powerful Earl with estates nearby coveted the castle and its surrounding land. Under the guise of protecting King John from treachery, he declared his intention of 'smashing the castle to the ground, hanging the garrison amidst its ruins and wiping the pestilent Swaynes off the face of the earth'. Lord Swayne had some advantages however, one of which was that he held the Earl's son, Gregory, captive. This is a fascinating account of a medieval siege. It is also the story of the growing…mehr

Produktbeschreibung
Lord Swayne owned a well-protected castle on a particularly strategic stretch of the English coast. A powerful Earl with estates nearby coveted the castle and its surrounding land. Under the guise of protecting King John from treachery, he declared his intention of 'smashing the castle to the ground, hanging the garrison amidst its ruins and wiping the pestilent Swaynes off the face of the earth'. Lord Swayne had some advantages however, one of which was that he held the Earl's son, Gregory, captive. This is a fascinating account of a medieval siege. It is also the story of the growing friendship between two boys, Lord Swayne's son Roger, and his prisoner, Gregory. 'The techniques and tragedies of medieval siege can seldom have been described in such a clear-cut, practical way; this exciting one-thing-after-another tale should be spread very widely among history-lovers and also those who have scant interest in the past.' Sunday Times
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Autorenporträt
On his return from the First World War, R C Sherriff settled in London, working as an insurance agent and writing plays in the evening. Journey's End, inspired by Sherriff's own experience of fighting, was his sixth play but the first to be given a professional production. It was an immediate, outstanding and phenomenal success. Thirty one separate productions ran concurrently around the world and it was translated into twenty six languages. Its success, however, was both a boon and a burden — while it allowed him to give up the day job and devote himself full-time to writing, it often overshadowed his later work or was used as the yardstick against which it was measured unfavourably. Fortunately for Sherriff he was not only a playwright but also a novelist and a screenwriter. He wrote a best-selling novel, A Fortnight In September in 1931, and the screenplays for The Invisible Man (1933), The Four Feathers (1939) and classic films such as Goodbye Mr Chips (1939), for which he received an Oscar nomination, and The Dambusters (1955). Although Sherriff was occupied as a playwright and screenwriter he did not lose his urge to write novels and he followed the success of his first novel with The Hopkins Manuscript, Chedworth, Another Year and others. Now, while Journey's End continues to define Sherriff's reputation, much of his work remains ripe for rediscovery.