Exploring Gaskell's tactile imagination, an embodied relationship with fabrics and sewing, a function of her daily life from an early age, this volume provides insight into the sensory aspects of cloth and its ability to stir affective responses.
Exploring Gaskell's tactile imagination, an embodied relationship with fabrics and sewing, a function of her daily life from an early age, this volume provides insight into the sensory aspects of cloth and its ability to stir affective responses.
Amanda Ford received a Ph.D. in English Literature from King's College, London, in 2021, and her M.A., awarded with a distinction, in 2014. Prior to academic studies, she held senior positions in investment banks. Inspired by her research, she is writing a novel featuring a seamstress whom Gaskell befriended; she is also studying novel writing at the Faber Academy.
Inhaltsangabe
Introduction Chapter One: 'Women's chops and changes': Stuff, Woollens and Kasmir Shawls Chapter Two: Cottons, Calicoes and 'Atrocious Prints' Chapter Three: Grave Concerns: The Fabrics of Loss and Mourning in Mary Barton Chapter Four: Ruffles, Old point and Net Curtains Chapter Five: Silks and Showiness Conclusion: Material Twists and Surface Depth
Introduction Chapter One: 'Women's chops and changes': Stuff, Woollens and Kasmir Shawls Chapter Two: Cottons, Calicoes and 'Atrocious Prints' Chapter Three: Grave Concerns: The Fabrics of Loss and Mourning in Mary Barton Chapter Four: Ruffles, Old point and Net Curtains Chapter Five: Silks and Showiness Conclusion: Material Twists and Surface Depth
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