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Covering the historical period from 1908 to 1925, this study traces the process of religious response to film as a prophetic vision, a series of great debates, the articulation of film as a handmaiden to church work, and the great divorce of church and cinema, eventuating in a religious posture and emphasis on rigid censorship rather than creative dialogue.

Produktbeschreibung
Covering the historical period from 1908 to 1925, this study traces the process of religious response to film as a prophetic vision, a series of great debates, the articulation of film as a handmaiden to church work, and the great divorce of church and cinema, eventuating in a religious posture and emphasis on rigid censorship rather than creative dialogue.
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Autorenporträt
Professor of film, Terry Lindvall, occupies the C. S. Lewis Chair of Communication and Christian Thought at Virginia Wesleyan University and has authored a dozen books, including The Silents of God (2001), Sanctuary Cinema (2007), Divine Film Comedies (2015), and God Mocks (2016). He is presently producing a feature documentary film on his God on the Big Screen: A History of Prayer from the Silent Cinema to Today (2019).