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"Poetry for Ann was a currency, like conversation, its nature being to capture and clarify elusive ideas that might otherwise remain unformed: so her characteristic style was natural and conversational, often with a crackle of verbal play, and an alertness to the possibilities of language that enabled her to achieve an effect of sensuous exuberance without becoming incoherent or merely fancy. She was a pianist and a skilled listener to music, with a background in dance and an openness to visual art and design. In poetry she had an enviable talent for beginning a piece without ceremony and…mehr

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"Poetry for Ann was a currency, like conversation, its nature being to capture and clarify elusive ideas that might otherwise remain unformed: so her characteristic style was natural and conversational, often with a crackle of verbal play, and an alertness to the possibilities of language that enabled her to achieve an effect of sensuous exuberance without becoming incoherent or merely fancy. She was a pianist and a skilled listener to music, with a background in dance and an openness to visual art and design. In poetry she had an enviable talent for beginning a piece without ceremony and ending it without strain: not every poet can do both." - from the Foreword by Roy Fisher
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