This path-breaking book uncovers the significance of the memory of the slave ship for modernity as well as its role in the cultural production of modernity. By so doing, it examines methods of ethnography for historical events and experiences and offers a sociology and a history from below of the slave experience. The arguments in this book show the way for using memory studies to undermine contemporary slavery.
This path-breaking book uncovers the significance of the memory of the slave ship for modernity as well as its role in the cultural production of modernity. By so doing, it examines methods of ethnography for historical events and experiences and offers a sociology and a history from below of the slave experience. The arguments in this book show the way for using memory studies to undermine contemporary slavery.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Martyn Hudson directs the Co-Curate North East Programme at Newcastle University and works on the relations between sound archives, history, and social machines with a specific interest in web-based slave databases and archives. He has directed arts and history projects with refugees, trauma and torture survivors and trafficked migrants and is currently working with projects to support new boat peoples like the Rohingya and in music projects to support trauma recovery.
Inhaltsangabe
Introduction: the slave ship, memory and the origin of modernity 1. The sea, the passage, and slavery 2. The dark hold: the slave ship and the middle passage 3. Marx and the pirates: 'forcing houses of internationalism' and the nautical proletariat 4. Wooden life-worlds: memory studies and the experience of slavery 5. The slave ship, plantations and materiality of memory 6. The passage, syncretic memory and sound 7. Traces, memory, and the human Conclusions - memory, slavery, modernity References Index
Introduction: the slave ship, memory and the origin of modernity 1. The sea, the passage, and slavery 2. The dark hold: the slave ship and the middle passage 3. Marx and the pirates: 'forcing houses of internationalism' and the nautical proletariat 4. Wooden life-worlds: memory studies and the experience of slavery 5. The slave ship, plantations and materiality of memory 6. The passage, syncretic memory and sound 7. Traces, memory, and the human Conclusions - memory, slavery, modernity References Index
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