This book provides a ground-breaking, comprehensive account of the social contexts in which people create, perform, perceive, understand, and react to music. It represents the first attempt to define the field since Farnsworth's book of the same title published in 1969. The topics include: personality; gender; listening situations; non-Western cultures; musical skill; performance; music therapy; consumer behaviour; and music education.
This book provides a ground-breaking, comprehensive account of the social contexts in which people create, perform, perceive, understand, and react to music. It represents the first attempt to define the field since Farnsworth's book of the same title published in 1969. The topics include: personality; gender; listening situations; non-Western cultures; musical skill; performance; music therapy; consumer behaviour; and music education.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
David Hargreaves works in the department of psychology at the University of Leicester
Inhaltsangabe
* 1.: D. Hargreaves and A. North: The Social Psychology of Music * Part 1. Individual Differences * 2.: A. Kemp: Individual Differences in Musical Behaviour * 3.: S. O'Neill: Gender and Music * Part 2. Social Groups and Situations * 4.: R. Crozier: Music and Social Influence * 5.: A. North and D. Hargreaves: Experimental Aesthetics and Everyday Music Listening * Part 3. Social and Cultural Influences * 6.: D. Simonton: Products, Persons, and Periods: Historiometric Analyses of Compositional Creativity * 7.: A. Gregory: The Roles of Music in Society: The Ethnomusicological Perspective * 8.: P. Russell: Musical Tastes and Society * Part 4. Developmental Issues * 9.: D. Zillman and S. Gan: Musical Taste in Adolescence * 10.: J. Davidson, M. Howe and J. Sloboda: Enviromental Factors in the Development of Musical Performance Skill over the Life-span * Part 5. Musicianship * 11.: J. Davidson: The Social Musical Performance * 12.: G. Wilson: Performace Anxiety * Part 6. Real World Applications * 13.: L. Bunt: Clinical and Therapeutic Uses of Music * 14.: A. North and D. Hargeaves: Music and Consumer Behaviour * 15.: B. Olsson: The Social Psychology of Music Education
* 1.: D. Hargreaves and A. North: The Social Psychology of Music * Part 1. Individual Differences * 2.: A. Kemp: Individual Differences in Musical Behaviour * 3.: S. O'Neill: Gender and Music * Part 2. Social Groups and Situations * 4.: R. Crozier: Music and Social Influence * 5.: A. North and D. Hargreaves: Experimental Aesthetics and Everyday Music Listening * Part 3. Social and Cultural Influences * 6.: D. Simonton: Products, Persons, and Periods: Historiometric Analyses of Compositional Creativity * 7.: A. Gregory: The Roles of Music in Society: The Ethnomusicological Perspective * 8.: P. Russell: Musical Tastes and Society * Part 4. Developmental Issues * 9.: D. Zillman and S. Gan: Musical Taste in Adolescence * 10.: J. Davidson, M. Howe and J. Sloboda: Enviromental Factors in the Development of Musical Performance Skill over the Life-span * Part 5. Musicianship * 11.: J. Davidson: The Social Musical Performance * 12.: G. Wilson: Performace Anxiety * Part 6. Real World Applications * 13.: L. Bunt: Clinical and Therapeutic Uses of Music * 14.: A. North and D. Hargeaves: Music and Consumer Behaviour * 15.: B. Olsson: The Social Psychology of Music Education
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