"This book presents the first detailed study of the place of galleries and gallerists within the French art market. Based on field research carried out for over a decade, the book draws on interviews with those working in the field today to provide a thorough and up-to-date analysis of what contemporary art galleries really are, illuminating the hierarchized structure of the sector and revealing the major role galleries play in the creation of art value. The book concludes by providing a sociological ranking of international contemporary art galleries. It is essential reading for scholars and students of art sociology, art history and art business"--…mehr
"This book presents the first detailed study of the place of galleries and gallerists within the French art market. Based on field research carried out for over a decade, the book draws on interviews with those working in the field today to provide a thorough and up-to-date analysis of what contemporary art galleries really are, illuminating the hierarchized structure of the sector and revealing the major role galleries play in the creation of art value. The book concludes by providing a sociological ranking of international contemporary art galleries. It is essential reading for scholars and students of art sociology, art history and art business"--Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Alain Quemin is Professor of Sociology of Art at Paris 8 University, France and is a senior member of the Academic Institute of France. He is a past president of the sociology of art research committee of the International Sociological Association. Keara Engelhardt has a Masters in translation from UW-Milwaukee, and is based in Paris, France. She has completed translation projects for several French universities.
Inhaltsangabe
Acknowledgements Series Editor Preface Introduction Foreword, pt. 1, A few methodological notes Foreword, pt.2, The invention of the gallerist profession Part One: A Spatial Approach of Contemporary Art Galleries 1. The Gallery as Physical Space 2. The Gallery in Urban Space 3. Galleries and International Art Fairs Part Two: The Occupation of a Gallerist 4. Sales: a fundamental undertaking 5. Sociability and Friendship: Resources for the gallerist occupation 6. Beyond Sales: the other activities of contemporary art galleries 7.1 Recent Trends: evolutions in the gallery sphere and in the gallerist profession 7.2 Museums: increased influence for galleries and a new level of competition with institutions Part Three: Analyzing the Hierarchy among Galleries 8. Understanding the gallery hierarchy: how to construct a ranked list of the main contemporary art galleries in the world 9. The International Ranking of the 'Best' Contemporary Art Galleries Conclusion Index Bibliography
Acknowledgements Series Editor Preface Introduction Foreword, pt. 1, A few methodological notes Foreword, pt.2, The invention of the gallerist profession Part One: A Spatial Approach of Contemporary Art Galleries 1. The Gallery as Physical Space 2. The Gallery in Urban Space 3. Galleries and International Art Fairs Part Two: The Occupation of a Gallerist 4. Sales: a fundamental undertaking 5. Sociability and Friendship: Resources for the gallerist occupation 6. Beyond Sales: the other activities of contemporary art galleries 7.1 Recent Trends: evolutions in the gallery sphere and in the gallerist profession 7.2 Museums: increased influence for galleries and a new level of competition with institutions Part Three: Analyzing the Hierarchy among Galleries 8. Understanding the gallery hierarchy: how to construct a ranked list of the main contemporary art galleries in the world 9. The International Ranking of the 'Best' Contemporary Art Galleries Conclusion Index Bibliography
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