In this first-ever book on the solfeggio tradition, one of the pillars of eighteenth-century music education, author Nicholas Baragwanath illuminates how performers and composers developed their exceptional skills in improvising and inventing melodies.
In this first-ever book on the solfeggio tradition, one of the pillars of eighteenth-century music education, author Nicholas Baragwanath illuminates how performers and composers developed their exceptional skills in improvising and inventing melodies.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Nicholas Baragwanath is Associate Professor of Music at the University of Nottingham. His award-winning research focuses on music history and theory, particularly on how musicians in the past learned skills in improvisation and composition. He regularly writes and presents for BBC Radio 3.
Inhaltsangabe
Acknowledgements List of Figures Glossary of Technical Terms Introduction Chapter 1: Discovering Solfeggio Section I - Context: Apprenticeship, Plainchant, and the Rudiments Chapter 2: Sepperl's Story: A Case Study in Music and Social Mobility Chapter 3: The Church Music Industry Chapter 4: Eighteenth-Century Plainchant--For Beginners Chapter 5: Canto Fermo and Canto Figurato Section II - Theory and Practice: Lessons in the Art of Melody Chapter 6: Speaking Solfeggio Chapter 7: Singing Solfeggio Chapter 8: Learning la sol fa mi, with Some Hints on Musical Grammar Chapter 9: Solano and Sabbatini on Modulation Section III - The Solfeggio Repertory: Types, Styles, and Genres Chapter 10: Defining Solfeggio Chapter 11: Unaccompanied Solfeggio Chapter 12: Accompanied Solfeggio Chapter 13: Solfeggio and Partimento Epilogue Chapter 14: Alternative Systems and the End of the Great Tradition Bibliography Index
Acknowledgements List of Figures Glossary of Technical Terms Introduction Chapter 1: Discovering Solfeggio Section I - Context: Apprenticeship, Plainchant, and the Rudiments Chapter 2: Sepperl's Story: A Case Study in Music and Social Mobility Chapter 3: The Church Music Industry Chapter 4: Eighteenth-Century Plainchant--For Beginners Chapter 5: Canto Fermo and Canto Figurato Section II - Theory and Practice: Lessons in the Art of Melody Chapter 6: Speaking Solfeggio Chapter 7: Singing Solfeggio Chapter 8: Learning la sol fa mi, with Some Hints on Musical Grammar Chapter 9: Solano and Sabbatini on Modulation Section III - The Solfeggio Repertory: Types, Styles, and Genres Chapter 10: Defining Solfeggio Chapter 11: Unaccompanied Solfeggio Chapter 12: Accompanied Solfeggio Chapter 13: Solfeggio and Partimento Epilogue Chapter 14: Alternative Systems and the End of the Great Tradition Bibliography Index
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