The Solo Singer in the Choral Setting - Olson, Margaret
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This handbook offers a unique perspective of choral singing from a soloist's viewpoint, providing a clear outline of several issues facing the solo singer in the choral setting. It discusses concepts as diverse as body position in rehearsal and acoustic sound production, and it offers practical ideas and solutions to these challenges. Teaching examples and case studies help illustrate the problems and potential solutions for handling the challenges of the choral environment.

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Produktbeschreibung
This handbook offers a unique perspective of choral singing from a soloist's viewpoint, providing a clear outline of several issues facing the solo singer in the choral setting. It discusses concepts as diverse as body position in rehearsal and acoustic sound production, and it offers practical ideas and solutions to these challenges. Teaching examples and case studies help illustrate the problems and potential solutions for handling the challenges of the choral environment.
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Autorenporträt
By Margaret Olson - Foreword by Ingo R. Titze
Rezensionen
The Solo Singer in the Choral Setting: A Handbook of Practical Ideas for Achieving Vocal Health, by Margret Olson, is chock full of probative insights and singular advice for the voice teacher and choral conductor. Specifically, the message is the care and feeding of the solo singer in the voice studio and the choral rehearsal, taking into account myriad potential emotional, intellectual, and egocentric mine fields that must be skillfully navigated. It is refreshing to read a book about singing replete with new ideas. Each chapter will be of particular interest to the voice teacher, conductor, and nascent voice student. Olson, obviously a teacher, leads the reader through theoretical to practical solutions about singing, presenting a benign litany of issues /solutions/teaching examples format, concluding many chapters with appropriate and useful vocalizes. -- Dr. Carroll Gonzo, Editor, Choral Journal The Solo Singer in the Choral Setting covers a wide range of issues, and it is characterized by a reasonable tone, both in the author's attitude toward choral singing, and the nature of the counsel offered to singers who must perform as both soloists and choristers... With this volume, Olson has made a valuable contribution to the dialogue. Journal of Singing