Fanny Hensel is arguably the most gifted female composer of the nineteenth century, but her music has long been overlooked. The Songs of Fanny Hensel is a groundbreaking collection of new scholarship on Hensel's highly original contributions to the genre of song, the art form that she said "suits her best."
Fanny Hensel is arguably the most gifted female composer of the nineteenth century, but her music has long been overlooked. The Songs of Fanny Hensel is a groundbreaking collection of new scholarship on Hensel's highly original contributions to the genre of song, the art form that she said "suits her best."
Stephen Rodgers is Professor of Music Theory and Musicianship at the University of Oregon. He writes about the relationship between music and poetry, focusing especially on the songs of nineteenth-century composers such as Franz Schubert, Fanny Hensel, Felix Mendelssohn, Robert Schumann, and Clara Schumann. He is also active as a tenor and has performed several lecture-recitals throughout the United States.
Inhaltsangabe
* Acknowledgments * Chapter 1: Introduction * Stephen Rodgers * Part I: Nature and Travel * Chapter 2: The Wilderness at Home: Woods-Romanticism in Fanny Hensel's Eichendorff Songs * Amanda Lalonde * Chapter 3: Waldszenen and Abendbilder: Fanny Hensel, Nikolaus Lenau, and the Nature of Melancholy * Scott Burnham * Chapter 4: Songs of Travel: Fanny Hensel's Wanderings * Susan Wollenberg * Part II: Settings of English Verse * Chapter 5: Women's Private Cosmopolitanism in Literary Translation and Song: Fanny Hensel's Drei Lieder nach Heinrich Heine von Mary Alexander * Jennifer Ronyak * Chapter 6: "In this elusive language": A Byron Song by Fanny Hensel * Susan Youens * Part III: Tonal Ingenuity * Chapter 7: "You too may change": Tonal Pairing of the Tonic and Subdominant in Two Songs by Fanny Hensel * Tyler Osborne * Chapter 8: Plagal Cadences in Fanny Hensel's Songs * Stephen Rodgers * Part IV: Responses to Poetic Form * Chapter 9: Working with Words: Revisions of Declamation in Fanny Hensel's Song Autographs * Harald Krebs * Chapter 10: Modulating Couplets in Fanny Hensel's Songs * Yonatan Malin * Part V: Beyond Song/Beyond Hensel * Chapter 11: Reading Poetry Through Music: Fanny Hensel and Others * Jürgen Thym * Chapter 12: Fanny Hensel's Lieder (ohne Worte) and the Boundaries of Song: The Curious Case of the Lied in D flat major, Op. 8, No. 3 * R. Larry Todd * Bibliography
* Acknowledgments * Chapter 1: Introduction * Stephen Rodgers * Part I: Nature and Travel * Chapter 2: The Wilderness at Home: Woods-Romanticism in Fanny Hensel's Eichendorff Songs * Amanda Lalonde * Chapter 3: Waldszenen and Abendbilder: Fanny Hensel, Nikolaus Lenau, and the Nature of Melancholy * Scott Burnham * Chapter 4: Songs of Travel: Fanny Hensel's Wanderings * Susan Wollenberg * Part II: Settings of English Verse * Chapter 5: Women's Private Cosmopolitanism in Literary Translation and Song: Fanny Hensel's Drei Lieder nach Heinrich Heine von Mary Alexander * Jennifer Ronyak * Chapter 6: "In this elusive language": A Byron Song by Fanny Hensel * Susan Youens * Part III: Tonal Ingenuity * Chapter 7: "You too may change": Tonal Pairing of the Tonic and Subdominant in Two Songs by Fanny Hensel * Tyler Osborne * Chapter 8: Plagal Cadences in Fanny Hensel's Songs * Stephen Rodgers * Part IV: Responses to Poetic Form * Chapter 9: Working with Words: Revisions of Declamation in Fanny Hensel's Song Autographs * Harald Krebs * Chapter 10: Modulating Couplets in Fanny Hensel's Songs * Yonatan Malin * Part V: Beyond Song/Beyond Hensel * Chapter 11: Reading Poetry Through Music: Fanny Hensel and Others * Jürgen Thym * Chapter 12: Fanny Hensel's Lieder (ohne Worte) and the Boundaries of Song: The Curious Case of the Lied in D flat major, Op. 8, No. 3 * R. Larry Todd * Bibliography
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