The Souls of Black Folk - Du Bois, W. E. B.
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The Souls of Black Folk is a pivotal collection of the history of sociology and African-American literary history and contains a number of groundbreaking essays on race and race relations by scholar and activist W.E.B. DuBois. An early work in the field of sociology, The Souls of Black Folk analyzes the interactions between the races and offers a solution for the strife and inequality that had come to characterize those interactions. Du Bois' work reveals the way in which America was reconstructing and redefining itself as a country and culture in the wake of the Civil War. American writer,…mehr

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Produktbeschreibung
The Souls of Black Folk is a pivotal collection of the history of sociology and African-American literary history and contains a number of groundbreaking essays on race and race relations by scholar and activist W.E.B. DuBois. An early work in the field of sociology, The Souls of Black Folk analyzes the interactions between the races and offers a solution for the strife and inequality that had come to characterize those interactions. Du Bois' work reveals the way in which America was reconstructing and redefining itself as a country and culture in the wake of the Civil War. American writer, civil rights activist, and scholar W.E.B. DuBois was a free-born African American in Great Barrington, Massachusetts, was the first black man to receive a PhD from Harvard University and was convinced that education was the means for African Americans to achieve equality. He wrote a number of important books, including The Philadelphia Negro, Black Folk, Then and Now, and The Negro.
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Autorenporträt
William Edward Burghardt Du Bois (/dju¿'b¿¿s/ dew-BOYSS;[1][2] February 23, 1868 - August 27, 1963) was an American sociologist, socialist, historian, civil rights activist, Pan-Africanist, author, writer and editor. Born in Great Barrington, Massachusetts, Du Bois grew up in a relatively tolerant and integrated community, and after completing graduate work at the University of Berlin and Harvard, where he was the first African American to earn a doctorate, he became a professor of history, sociology and economics at Atlanta University. Due to his contributions in the African-American community he was seen as a member of a Black elite that supported some aspects of eugenics for blacks. Du Bois was one of the founders of the National Association for the Advancement of Colored People (NAACP) in 1909. Before that, Du Bois had risen to national prominence as the leader of the Niagara Movement, a group of African-American activists that wanted equal rights for blacks. Du Bois and his supporters opposed the Atlanta compromise, an agreement crafted by Booker T. Washington which provided that Southern blacks would work and submit to white political rule, while Southern whites guaranteed that blacks would receive basic educational and economic opportunities. Instead, Du Bois insisted on full civil rights and increased political representation, which he believed would be brought about by the African-American intellectual elite. He referred to this group as the Talented Tenth, a concept under the umbrella of Racial uplift, and believed that African Americans needed the chances for advanced education to develop its leadership. Racism was the main target of Du Bois's polemics, and he strongly protested against lynching, Jim Crow laws, and discrimination in education and employment. His cause included people of color everywhere, particularly Africans and Asians in colonies. He was a proponent of Pan-Africanism and helped organize several Pan-African Congresses to fight for the independence of African colonies from European powers. Du Bois made several trips to Europe, Africa and Asia. After World War I, he surveyed the experiences of American black soldiers in France and documented widespread prejudice and racism in the United States military. Du Bois was a prolific author. His collection of essays, The Souls of Black Folk, is a seminal work in African-American literature; and his 1935 magnum opus, Black Reconstruction in America, challenged the prevailing orthodoxy that blacks were responsible for the failures of the Reconstruction Era. Borrowing a phrase from Frederick Douglass, he popularized the use of the term color line to represent the injustice of the separate but equal doctrine prevalent in American social and political life. He opens The Souls of Black Folk with the central thesis of much of his life's work: "The problem of the twentieth century is the problem of the color-line."