Emilio Sala uses rare documents and images to re-examine Verdi's La traviata in the cultural context of mid-nineteenth-century Paris.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Emilio Sala is Associate Professor of Musical Dramaturgy at the University of Milan. His research focuses on the musical dramaturgy of opera, melodrama and film music and his publications include L'opera senza canto. Il mélo romantico e l'invenzione della colonna sonora (1995) and Il valzer delle camelie. Echi di Parigi nella Traviata (2008). He has published articles and reviews in the Cambridge Opera Journal, Opera Quarterly, the Revue de musicologie, Orages, R. H. L. F., Saggiatore musicale, Musica/Realtà, Musicalia, Musica e storia and elsewhere.
Inhaltsangabe
Prelude 1. Verdi and the Parisian 'boulevard' theatre 2. Images and sounds in waltz (and polka) time 3. Motifs of reminiscence and musical dramaturgy Coda.
Prelude 1. Verdi and the Parisian 'boulevard' theatre 2. Images and sounds in waltz (and polka) time 3. Motifs of reminiscence and musical dramaturgy Coda.
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