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Emilio Sala uses rare documents and images to re-examine Verdi's La traviata in the cultural context of mid-nineteenth-century Paris.

Produktbeschreibung
Emilio Sala uses rare documents and images to re-examine Verdi's La traviata in the cultural context of mid-nineteenth-century Paris.
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Autorenporträt
Emilio Sala is Associate Professor of Musical Dramaturgy at the University of Milan. His research focuses on the musical dramaturgy of opera, melodrama and film music and his publications include L'opera senza canto. Il mélo romantico e l'invenzione della colonna sonora (1995) and Il valzer delle camelie. Echi di Parigi nella Traviata (2008). He has published articles and reviews in the Cambridge Opera Journal, Opera Quarterly, the Revue de musicologie, Orages, R. H. L. F., Saggiatore musicale, Musica/Realtà, Musicalia, Musica e storia and elsewhere.