Irigoyen-García provides incisive new ideas about the social and ethnocentric uses of the genre, as well as its interrelation with ideas of race, animal husbandry, and nation building in early modern Spain.
Irigoyen-García provides incisive new ideas about the social and ethnocentric uses of the genre, as well as its interrelation with ideas of race, animal husbandry, and nation building in early modern Spain.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Javier Irigoyen-García is an associate professor of Spanish Studies at the University of Illinois at Urbana-Champaign. His previous work, The Spanish Arcadia, is also published by the University of Toronto Press.
Inhaltsangabe
List of Illustrations Acknowledgments Introduction: A country of Shepherds * Race, Religion, and Culture in Early Modern Spain * The Figure of the Shepherd in Early Modern Spain * Pastoral Literature and Cultural Supersession Part One. Sheep Herding and Ethnocentrism in Early Modern Spain 1. 1 Sheep Herding and Discourses on Race 2. Writing the History of Spanish Sheep 3. Sheep Herding and Racial Terminology 4. The Good Shepherd and limpieza de sangre 5. Representing Laban’s Livestock 6. 2 Rustic Culture and the Invention of the Spanish People 7. The Adoration of the shepherds 8. Apparitions to Shepherds 9. Performing Rustic Culture 10. Dressing the Shepherd 11. Rustic Speech as Relic 12. 3 In the Land of Pan: Pastoral Classicism and Historiography 13. Ancient Place Names and Pastoral Cartographies 14. Inhabiting the Past with Shepherds 15. Etymology and Sheep Herding 16. Paganism and Ethnic Identity 17. The God Pan and the Name of Spain Part Two. Contesting Ethnocentrism within the Arcadia 18. 4 The Moor in Arcadia 19. The Story of El Abencerraje in Montemayor’s La Diana 20. Reluctant Shepherds: Gaspar Mercader’s El prado de Valencia 21. The Limits of Cultural Cleansing in Cervantes’ pastoral 22. 5 Imagining the Spanish Arcadia after 1609 23. Jews and Gypsies in Lope de Vega’s Pastores de Belén 24. Nostalgia for the Moor: Jacinto Espinel Adorno’s El premio de la constancia 25. Pastoral Hierarchies: Juan de Barrionuevo y Moya’s Primera parte de la soledad entretenida 26. Conclusion: Pan’s Labyrinth 27. The Pastoral Habitus: Early Modern to Present 28. From Blood Purity to Whiteness 29. Pastoral and Ethnocentrism: Future Directions Notes Works Cited
List of Illustrations Acknowledgments Introduction: A country of Shepherds * Race, Religion, and Culture in Early Modern Spain * The Figure of the Shepherd in Early Modern Spain * Pastoral Literature and Cultural Supersession Part One. Sheep Herding and Ethnocentrism in Early Modern Spain 1. 1 Sheep Herding and Discourses on Race 2. Writing the History of Spanish Sheep 3. Sheep Herding and Racial Terminology 4. The Good Shepherd and limpieza de sangre 5. Representing Laban’s Livestock 6. 2 Rustic Culture and the Invention of the Spanish People 7. The Adoration of the shepherds 8. Apparitions to Shepherds 9. Performing Rustic Culture 10. Dressing the Shepherd 11. Rustic Speech as Relic 12. 3 In the Land of Pan: Pastoral Classicism and Historiography 13. Ancient Place Names and Pastoral Cartographies 14. Inhabiting the Past with Shepherds 15. Etymology and Sheep Herding 16. Paganism and Ethnic Identity 17. The God Pan and the Name of Spain Part Two. Contesting Ethnocentrism within the Arcadia 18. 4 The Moor in Arcadia 19. The Story of El Abencerraje in Montemayor’s La Diana 20. Reluctant Shepherds: Gaspar Mercader’s El prado de Valencia 21. The Limits of Cultural Cleansing in Cervantes’ pastoral 22. 5 Imagining the Spanish Arcadia after 1609 23. Jews and Gypsies in Lope de Vega’s Pastores de Belén 24. Nostalgia for the Moor: Jacinto Espinel Adorno’s El premio de la constancia 25. Pastoral Hierarchies: Juan de Barrionuevo y Moya’s Primera parte de la soledad entretenida 26. Conclusion: Pan’s Labyrinth 27. The Pastoral Habitus: Early Modern to Present 28. From Blood Purity to Whiteness 29. Pastoral and Ethnocentrism: Future Directions Notes Works Cited
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