This is first English-language study of cine quinqui, a cycle of Spanish delinquent-themed films made in the 1970s and 1980s. Exploring how the films reflected the auditory experience of marginal youth cultures during this period, the book casts new light on the criminological, economic and political fault lines of Spainâ s transition to democracy. -- .
This is first English-language study of cine quinqui, a cycle of Spanish delinquent-themed films made in the 1970s and 1980s. Exploring how the films reflected the auditory experience of marginal youth cultures during this period, the book casts new light on the criminological, economic and political fault lines of Spainâ s transition to democracy. -- .
Tom Whittaker is a Reader in Film and Spanish Cultural Studies at the University of Warwick
Inhaltsangabe
Introduction 1 Unruly speed and sensation in the Perros callejeros cycle 2 Soundscapes of anxiety: civil insecurity, democracy and the home 3 Sound and skin in the quinqui films of Eloy de la Iglesia 4 Listening to the delinquent voice 5 The place of the rumba in cine quinqui Conclusion Index
Introduction 1 Unruly speed and sensation in the Perros callejeros cycle 2 Soundscapes of anxiety: civil insecurity, democracy and the home 3 Sound and skin in the quinqui films of Eloy de la Iglesia 4 Listening to the delinquent voice 5 The place of the rumba in cine quinqui Conclusion Index
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