This book interrogates anew the phenomenon of tradition in a dialogical debate with a host of Western thinkers and critical minds.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Min Tian has taught as an Associate Professor at the China Central Academy of Drama and currently works at the University of Iowa, USA.
Inhaltsangabe
Acknowledgements Introduction Chapter 1: The Legitimation of Tradition and the Construction of an Intercultural Myth - Mei Lanfang Remembers Stanislavsky Chapter 2: The Refraction of Tradition - Meyerhold's and Stanislavsky's Approaches to Pushkin and Meyerhold's Pushkinization of Mei Lanfang's Art Chapter 3: The Consecration of Tradition - Eisenstein's Approach to Chinese Theatre and Culture Chapter 4: The Uncanny Quotability of Tradition: Walter Benjamin's Interest in Chinese Cultural Traditions Chapter 5: The Fabrication of Tradition - Lady Precious Stream, a Chinese Chinoiserie Anglicized on Modern British Stage Chapter 6: The Reification of Tradition - Meyerhold's Influence on Twentieth-Century Japanese and Chinese Theatres Conclusion Bibliography Index
Acknowledgements Introduction Chapter 1: The Legitimation of Tradition and the Construction of an Intercultural Myth - Mei Lanfang Remembers Stanislavsky Chapter 2: The Refraction of Tradition - Meyerhold's and Stanislavsky's Approaches to Pushkin and Meyerhold's Pushkinization of Mei Lanfang's Art Chapter 3: The Consecration of Tradition - Eisenstein's Approach to Chinese Theatre and Culture Chapter 4: The Uncanny Quotability of Tradition: Walter Benjamin's Interest in Chinese Cultural Traditions Chapter 5: The Fabrication of Tradition - Lady Precious Stream, a Chinese Chinoiserie Anglicized on Modern British Stage Chapter 6: The Reification of Tradition - Meyerhold's Influence on Twentieth-Century Japanese and Chinese Theatres Conclusion Bibliography Index
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