The Sphinx Contemplating Napoleon - Tawadros, Gilane (Stuart Hall Foundation, London, UK)
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Built upon the politics of difference, The Sphinx Contemplating Napoleon examines artistic practice through an international lens. This vibrant collection of essays and writings - produced in different cultural contexts and collected over two decades - introduces the reader to the thought, method of analysis and everyday experiences that have emerged from an increasingly globalized world, presenting a potentially radical frame through which to understand contemporary art. Gilane Tawadros experiments with methodology to draw cultural difference to the surface: from traditional criticism to…mehr

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Produktbeschreibung
Built upon the politics of difference, The Sphinx Contemplating Napoleon examines artistic practice through an international lens. This vibrant collection of essays and writings - produced in different cultural contexts and collected over two decades - introduces the reader to the thought, method of analysis and everyday experiences that have emerged from an increasingly globalized world, presenting a potentially radical frame through which to understand contemporary art. Gilane Tawadros experiments with methodology to draw cultural difference to the surface: from traditional criticism to fictional narratives, this critical variety mirrors her embrace of different perspectives and hints to the myriad ways in which contemporary art is created and presented. Using these techniques she explores the work of leading artists such as Adel Abdessemed, Richard Avedon, Sonia Boyce and Frank Bowling, offering expert guidance on the rich cultural and historical contexts of global and contemporary art through intimate engagement with lived experience. Playing with forms of writing, from critical analyses to fictional narratives, The Sphinx Contemplating Napoleon functions as a practice-based meditation on how to write about contemporary art.
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Autorenporträt
Gilane Tawadros is a writer and curator. She was the founding Director of the Institute of International Visual Arts (Iniva) in London which, over a decade, achieved an international reputation as a ground-breaking cultural agency at the leading edge of artistic and cultural debates nationally and internationally. She has written extensively on contemporary art and curated a number of important exhibitions in the UK and internationally. In 2012, she was the first art historian to be appointed to the prestigious Blanche, Edith and Irving Laurie Chair in Women's Studies, Rutgers, the State University of New Jersey. She is Chair of the Stuart Hall Foundation.