"This book is an exploration of Dietrich Bonhoeffer's appeal to musical metaphors which correspond to a pneumatology, one which has been largely overlooked"--
"This book is an exploration of Dietrich Bonhoeffer's appeal to musical metaphors which correspond to a pneumatology, one which has been largely overlooked"--Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Joanna Tarassenko is Assistant Curate at St Clement's Church, UK
Inhaltsangabe
Introduction Part One: Dietrich Bonhoeffer's Musico-Theology Chapter One: A Musico-Theological Life Introduction A. Bonhoeffer's musical existence B. Bonhoeffer's musico-theological imagination 1. Aesthetic existence 2. The music of Heinrich Schütz and recapitulation 3. Bach's Art of Fugue and Eschatology Conclusion Chapter Two: A Musico-Theological Invention Introduction A. Polyphony: a musical term B. Polyphony in the prison letters C. A musico-theological invention for love D. A musico-theological invention for life Conclusion Part Two: The Polyphonic Shape of Christian Formation Chapter Three: The Polyphony of Christ Introduction A. A Christological construct B. The Christology Lectures C. The Polyphonic Christ Conclusion Chapter Four: The Contrapuntal Christian Introduction A. Christian formation B. The church through Christ and the Spirit C. Christian formation through the Holy Spirit Conclusion Part Three: Space for the Holy Spirit Chapter Five: A Musico-Pneumatology Introduction A. The 'indirect but pervasive pneumatology' of Ethics B. Space and the Spirit in Ethics C. Musico-pneumatology Conclusion Chapter Six: A Spirit Christology acoustically defined A. Pneumatic Chalcedonianism: an orthodox Spirit Christology B. Spirit Christology for Christian formation C. Acoustic space for the Spirit Conclusion Conclusion Bibliography
Introduction Part One: Dietrich Bonhoeffer's Musico-Theology Chapter One: A Musico-Theological Life Introduction A. Bonhoeffer's musical existence B. Bonhoeffer's musico-theological imagination 1. Aesthetic existence 2. The music of Heinrich Schütz and recapitulation 3. Bach's Art of Fugue and Eschatology Conclusion Chapter Two: A Musico-Theological Invention Introduction A. Polyphony: a musical term B. Polyphony in the prison letters C. A musico-theological invention for love D. A musico-theological invention for life Conclusion Part Two: The Polyphonic Shape of Christian Formation Chapter Three: The Polyphony of Christ Introduction A. A Christological construct B. The Christology Lectures C. The Polyphonic Christ Conclusion Chapter Four: The Contrapuntal Christian Introduction A. Christian formation B. The church through Christ and the Spirit C. Christian formation through the Holy Spirit Conclusion Part Three: Space for the Holy Spirit Chapter Five: A Musico-Pneumatology Introduction A. The 'indirect but pervasive pneumatology' of Ethics B. Space and the Spirit in Ethics C. Musico-pneumatology Conclusion Chapter Six: A Spirit Christology acoustically defined A. Pneumatic Chalcedonianism: an orthodox Spirit Christology B. Spirit Christology for Christian formation C. Acoustic space for the Spirit Conclusion Conclusion Bibliography
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