This book explores Eastern Cape performance artists, activists, and organizations that used inventive and historical means to protest and resist oppressive authorities and systems while exhibiting their unique culture. Michie analyzes music and oral poetry to study the region's role in the history of South African protest politics and creativity.
This book explores Eastern Cape performance artists, activists, and organizations that used inventive and historical means to protest and resist oppressive authorities and systems while exhibiting their unique culture. Michie analyzes music and oral poetry to study the region's role in the history of South African protest politics and creativity.
Lindsay Michie is associate professor of history and co-chair of the Africana Studies Department at the University of Lynchburg.
Inhaltsangabe
Chapter 1: "We Create Our Own Language" Chapter 2: "Unite Like a Ball of Scrapings": Early History to the 1850s Chapter 3: "Turn Phalo's Land on Its Head": Late Nineteenth and Early Twentieth Centuries Chapter 4: "You Sent Us the Light, We Sit in the Dark": 1920s - 1940s Chapter 5: "A Spirit That Could Not Be Broken": 1950s-1960s Chapter 6: "A Land in Calamity's Shadow": 1970s-1980s Chapter 7: "Our Bull Has Escaped from the Pound": 1990s - the Present Bibliography
Chapter 1: "We Create Our Own Language" Chapter 2: "Unite Like a Ball of Scrapings": Early History to the 1850s Chapter 3: "Turn Phalo's Land on Its Head": Late Nineteenth and Early Twentieth Centuries Chapter 4: "You Sent Us the Light, We Sit in the Dark": 1920s - 1940s Chapter 5: "A Spirit That Could Not Be Broken": 1950s-1960s Chapter 6: "A Land in Calamity's Shadow": 1970s-1980s Chapter 7: "Our Bull Has Escaped from the Pound": 1990s - the Present Bibliography
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