Mr. Gifford has no pretensions to be thought a man of genius, of taste, or even of general knowledge. He merely understands the mechanical and instrumental part of learning. He is a critic of the last age, when the different editions of an author, or the dates of his several performances were all that occupied the inquiries of a profound scholar, and the spirit of the writer or the beauties of his style were left to shift for themselves, or exercise the fancy of the light and superficial reader. In studying an old author, he has no notion of any thing beyond adjusting a point, proposing a…mehr
Mr. Gifford has no pretensions to be thought a man of genius, of taste, or even of general knowledge. He merely understands the mechanical and instrumental part of learning. He is a critic of the last age, when the different editions of an author, or the dates of his several performances were all that occupied the inquiries of a profound scholar, and the spirit of the writer or the beauties of his style were left to shift for themselves, or exercise the fancy of the light and superficial reader. In studying an old author, he has no notion of any thing beyond adjusting a point, proposing a different reading, or correcting, by the collation of various copies, an error of the press.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
William Hazlitt was an English essayist, drama and literary critic, painter, social critic, and philosopher. He was born on April 10, 1778, and died on September 18, 1830. He is now thought to be up there with Samuel Johnson and George Orwell as one of the best critics and essayists in the history of the English language. People agree that he was also the best art critic of his time. Hazlitt went to school and learned things at home. At the age of 13, he was happy to see his writing in print for the first time. In July 1791, the Shrewsbury Chronicle printed a letter he wrote about the riots in Birmingham over Joseph Priestley's support for the French Revolution. During his life, he became friends with Charles and Mary Lamb, Stendhal, Samuel Taylor Coleridge, William Wordsworth, and John Keats, all of whom are now considered important 19th-century writers.
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