The Stage Works of Philip Glass is a rich exploration of Glass and his widely acclaimed music for the theatre within the context of other composers interested in so-called minimalist features. It assesses different critical interpretations of Glass's work, and sheds light on his challenging creative philosophy.
The Stage Works of Philip Glass is a rich exploration of Glass and his widely acclaimed music for the theatre within the context of other composers interested in so-called minimalist features. It assesses different critical interpretations of Glass's work, and sheds light on his challenging creative philosophy.
Robert F. Waters teaches at the New Jersey Institute of Technology. He also held faculty positions at Seton Hall University and Wake Forest University. His published research focuses on nineteenth-and twentieth-century music in France and America, and he has lectured and presented papers throughout the United States as well as in the UK, Europe and Australia. Waters also wrote as a music critic for the Washington Post for ten years and has performed as a pianist.
Inhaltsangabe
Preface Background 1. Introduction 2. Terminology and Stages of Minimalism 3. Terminology: Post-Minimalism, Postmodernism, and Neo-Romanticism 4. Philip Glass's Early Life and Career (1937-1975) STAGE WORKS: 5. Theater 6. Language and Philosophy 7. Themes, Genres, and Archetypes 8. Multimedia and Hybrid Genres 9. Dance 10. Music 11. Critical and Audience Reception 12. Conclusion Endnotes Bibliography.
Preface Background 1. Introduction 2. Terminology and Stages of Minimalism 3. Terminology: Post-Minimalism, Postmodernism, and Neo-Romanticism 4. Philip Glass's Early Life and Career (1937-1975) STAGE WORKS: 5. Theater 6. Language and Philosophy 7. Themes, Genres, and Archetypes 8. Multimedia and Hybrid Genres 9. Dance 10. Music 11. Critical and Audience Reception 12. Conclusion Endnotes Bibliography.
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