Andere Kunden interessierten sich auch für
Inventors of the Steadicam offer inside knowledge to aspiring camera operators!
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Verlag: Focal Press
- Artikelnr. des Verlages: Y142157
- 2. Aufl.
- Seitenzahl: 458
- Erscheinungstermin: 1. Oktober 2012
- Englisch
- Abmessung: 273mm x 215mm x 23mm
- Gewicht: 1408g
- ISBN-13: 9780240823805
- ISBN-10: 024082380X
- Artikelnr.: 35759530
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
- Verlag: Focal Press
- Artikelnr. des Verlages: Y142157
- 2. Aufl.
- Seitenzahl: 458
- Erscheinungstermin: 1. Oktober 2012
- Englisch
- Abmessung: 273mm x 215mm x 23mm
- Gewicht: 1408g
- ISBN-13: 9780240823805
- ISBN-10: 024082380X
- Artikelnr.: 35759530
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
Jerry Holway has been a Steadicam operator for 30 years, with many feature film credits including Donnie Brasco, As Good as it Gets, Rounders, The Apostle, All the Pretty Horses, and Reign Over Me. Over the past 18 years, Jerry has been the head instructor at more than 60 week-long Steadicam workshops worldwide. He is generally regarded-along with Garrett Brown, inventor of the Steadicam-as one of the premier Steadicam workshop instructors in the world. Laurie Hayball has been a Steadicam operator and workshop instructor for 15 years. She earned a degree in Motion Picture and Television from UCLA's School of Fine Arts. Her training as a cinematographer brings a comprehensive understanding of all aspects of media production, especially as it pertains to visual storytelling. Laurie is the author of The Infrared Photography Handbook, The Advanced Infrared Photography Handbook, and How to Photograph Your Baby's First Year, all published by Amherst Media.
INTRODUCTION Cut. Print. Great. The history of the Steadicam is pretty well
known How to begin SECTION ONE: the Steadicam® and its parts Wearing the
Steadicam® Basic Physics Getting to know the rig: Basic Steadicam terms
Build the Steadicam Four balancing acts Static balance Dynamic balance
SECTION TWO: getting started Putting on the Steadicam Moving with the rig
The right touch Starting and stopping The camera's path Making the switch
Variations on the line dance Memorizing the shotSECTION THREE: beyond the
basics Low mode Navigation Keeping the camera level Steadicam posture
General health and operating Women and Steadicam Are you ready? My big
break by Dan Kneece SECTION FOUR: Steadicam® and filmmaking Basic shot
design Take after take by Janice Arthur your role as storyteller Point of
view Moving composition Strong camera moves SECTION FIVE: movement
techniques Would you care to dance? Moving through space Floating the
camera No second takes by Peter Abraham Putting the rig on the other side
Negotiating tight spaces Running with a rig SECTION SIX: framing techniques
More on operating Framing corrections Precise framing techniques Lock offs
Whip pans Longer lenses Z
INTRODUCTION Cut. Print. Great. The history of the Steadicam is pretty well
known How to begin SECTION ONE: the Steadicam® and its parts Wearing the
Steadicam® Basic Physics Getting to know the rig: Basic Steadicam terms
Build the Steadicam Four balancing acts Static balance Dynamic balance
SECTION TWO: getting started Putting on the Steadicam Moving with the rig
The right touch Starting and stopping The camera's path Making the switch
Variations on the line dance Memorizing the shotSECTION THREE: beyond the
basics Low mode Navigation Keeping the camera level Steadicam posture
General health and operating Women and Steadicam Are you ready? My big
break by Dan Kneece SECTION FOUR: Steadicam® and filmmaking Basic shot
design Take after take by Janice Arthur your role as storyteller Point of
view Moving composition Strong camera moves SECTION FIVE: movement
techniques Would you care to dance? Moving through space Floating the
camera No second takes by Peter Abraham Putting the rig on the other side
Negotiating tight spaces Running with a rig SECTION SIX: framing techniques
More on operating Framing corrections Precise framing techniques Lock offs
Whip pans Longer lenses Z
"The Steadicam® Operator's Handbook is the most comprehensive and complete text available on Steadicam equipment and operation. It is essential reading for beginners and experienced operators alike."
-Dan Kneece, President of the Society of Steadicam Operators
"This is the first book to demystify the operation of the Steadicam"
-Paul Taylor: Steadicam, owner - operator / fifteen year advanced Steadicam workshop lead instructor and developer of Steadicam instructional techniques
