The Strange Short Fiction of Joseph Conrad - Erdinast-Vulcan, Daphna
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This part of the book engages with the interpretative problems posed by these stories through a cultural-historical perspective, linking Conrad's essentially Romantic sensibility and his unique position on the threshold of Modernism with some of the issues that have emerged from the 'Postmodern turn': the relationship between metaphysics and subjectivity, the conception of inter-subjectivity as prior to and constitutive of subjectivity; the permeability of textual and psychological boundary-lines; and the desire for subjective aesthetization. These issues, which can all be traced back to the…mehr

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Produktbeschreibung
This part of the book engages with the interpretative problems posed by these stories through a cultural-historical perspective, linking Conrad's essentially Romantic sensibility and his unique position on the threshold of Modernism with some of the issues that have emerged from the 'Postmodern turn': the relationship between metaphysics and subjectivity, the conception of inter-subjectivity as prior to and constitutive of subjectivity; the permeability of textual and psychological boundary-lines; and the desire for subjective aesthetization. These issues, which can all be traced back to the cultural crisis of the turn of the century, are still with us at the close of the millennium.
Through an examination of short stories spanning Joseph Conrad's entire writing career, Daphna Erdinast-Vulcan engages with the question of authorial subjectivity and ethics in Modernism. Part One establishes an original theoretical matrix, which turns on the principle of 'heterobiography'. Part Two applies this cultural-historical perspective through close readings of ten of Conrad's short stories.