Presents a critical study of the Cantiones in terms of their historical and confessional significance, assemblage, printing and the music itself.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
DANIEL TROCME-LATTER is Associate Professor of Music, Director of Music, and a Fellow of Homerton College, Cambridge. He is an Affiliated Lecturer in the Faculties of Music and of History at the University of Cambridge.
Inhaltsangabe
Introduction: Catholic Music in a Protestant City? Part I: The Story 1. Peter Schöffer the Younger 2. The Cantiones in Context 3. The Milan Connection Part II: The Music 4. The Gombert Motets 5. The Motets of Jacquet of Mantua and Adrian Willaert 6. The Remaining Composers of the Cantiones Epilogue Appendix 1: Paratexts Appendix 2: Motet Texts and Translations Appendix 3: Extant Exemplars of the Cantiones Anthology and its Motet Concordances Appendix 4: Discography Bibliography Index
Introduction: Catholic Music in a Protestant City? Part I: The Story 1. Peter Schöffer the Younger 2. The Cantiones in Context 3. The Milan Connection Part II: The Music 4. The Gombert Motets 5. The Motets of Jacquet of Mantua and Adrian Willaert 6. The Remaining Composers of the Cantiones Epilogue Appendix 1: Paratexts Appendix 2: Motet Texts and Translations Appendix 3: Extant Exemplars of the Cantiones Anthology and its Motet Concordances Appendix 4: Discography Bibliography Index
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