The Strauss Dynasty and Habsburg Vienna - Jones, David Wyn
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The music of the Strauss family - Johann and his three sons, Johann, Josef and Eduard - enjoys enormous popular appeal. Yet existing biographies have failed to do justice to the family's true significance in nineteenth and early twentieth-century musical history. David Wyn Jones addresses this deficiency, engagingly showing that - from Johann's first engagements in the mid-1820s to the death of Eduard in 1916 - the music making of the family was at the centre of Habsburg Viennese society as it moved between dance hall, concert hall and theatre. The Strauss industry at its height was, he…mehr

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Produktbeschreibung
The music of the Strauss family - Johann and his three sons, Johann, Josef and Eduard - enjoys enormous popular appeal. Yet existing biographies have failed to do justice to the family's true significance in nineteenth and early twentieth-century musical history. David Wyn Jones addresses this deficiency, engagingly showing that - from Johann's first engagements in the mid-1820s to the death of Eduard in 1916 - the music making of the family was at the centre of Habsburg Viennese society as it moved between dance hall, concert hall and theatre. The Strauss industry at its height was, he demonstrates, greater than any one of the individuals, with serious personal and domestic consequences including affairs, illness, rivalry and fraud. This zesty biography, spanning over a hundred years of history, brings the dynasty brilliantly to life across a large canvas as it offers fresh and revealing insights into the cultural life of Vienna as a whole.
Autorenporträt
David Wyn Jones is Emeritus Professor of Music at Cardiff University. He has written extensively on music and musical life in Vienna, including biographies of Haydn (2009) and Beethoven (1998). The relationship between music and society in three different epochs is explored in Music in Vienna, 1700, 1800, 1900 (2016).
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'David Wyn Jones's masterful biography gives the Strauss dynasty the place it deserves in the cultural and political history of nineteenth-century Europe. Combining meticulous research with vivid storytelling, Jones shows that the Strauss 'brand' was not only an extraordinary collective achievement, but also an essential backdrop to the final decades of the Habsburg Empire. Fascinating, informative, and eminently readable.' Erica Buurman, Director of the Ira F. Brilliant Center for Beethoven Studies and Assistant Professor of Music, San José State University