The Subjects of Art History
Historical Objects in Contemporary Perspective
Herausgeber: Cheetham, Mark A.; Moxey, Keith; Holly, Michael A.
The Subjects of Art History
Historical Objects in Contemporary Perspective
Herausgeber: Cheetham, Mark A.; Moxey, Keith; Holly, Michael A.
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An introduction to the historiography and theory of the history of art. 48 half-tones.
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An introduction to the historiography and theory of the history of art. 48 half-tones.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Cambridge University Press
- Seitenzahl: 352
- Erscheinungstermin: 28. Januar 2009
- Englisch
- Abmessung: 254mm x 178mm x 19mm
- Gewicht: 663g
- ISBN-13: 9780521455725
- ISBN-10: 0521455723
- Artikelnr.: 26151876
- Verlag: Cambridge University Press
- Seitenzahl: 352
- Erscheinungstermin: 28. Januar 2009
- Englisch
- Abmessung: 254mm x 178mm x 19mm
- Gewicht: 663g
- ISBN-13: 9780521455725
- ISBN-10: 0521455723
- Artikelnr.: 26151876
Introduction
1. Immanuel Kant and the bo(a)rders of art history Mark A. Cheetham
2. Art history's hegelian unconscious: naturalism as nationalism in the otherlandish painting Keith Moxey
3. Spirits and ghosts in the historiography of art Michael Ann Holly
4. Seeing signs: the use of semiotics for the understanding of visual art Mieke Bal
5. The politics of feminist art history Patricia Mathews
6. Homesexualism, gay and lesbian studies and queer theory in art history Whitney Davis
7. Phenomenology and the limits of hermeneutics Stephen Melville
8. Deconstruction and photography David Philips
9. The work of art and its beholder: the methodology and aesthetic of reception Wolfgang Kemp
10. Between art history and psychoanalysis: the methodology of the aesthetic of reception Steven Z. Levine
11. Passing between art history and post-colonial theory James D. Herbert
12. Art history and museums Stephen Bann
13. Museums and galleries as sites for artistic intervention Gerald McMaster
14. Art history's significant other ... film studies Bruce Barber
15. Interpreting the void: architecture and spatial anxiety Anthony Vidler
16. Computer applications for art history Willam Vaughan.
1. Immanuel Kant and the bo(a)rders of art history Mark A. Cheetham
2. Art history's hegelian unconscious: naturalism as nationalism in the otherlandish painting Keith Moxey
3. Spirits and ghosts in the historiography of art Michael Ann Holly
4. Seeing signs: the use of semiotics for the understanding of visual art Mieke Bal
5. The politics of feminist art history Patricia Mathews
6. Homesexualism, gay and lesbian studies and queer theory in art history Whitney Davis
7. Phenomenology and the limits of hermeneutics Stephen Melville
8. Deconstruction and photography David Philips
9. The work of art and its beholder: the methodology and aesthetic of reception Wolfgang Kemp
10. Between art history and psychoanalysis: the methodology of the aesthetic of reception Steven Z. Levine
11. Passing between art history and post-colonial theory James D. Herbert
12. Art history and museums Stephen Bann
13. Museums and galleries as sites for artistic intervention Gerald McMaster
14. Art history's significant other ... film studies Bruce Barber
15. Interpreting the void: architecture and spatial anxiety Anthony Vidler
16. Computer applications for art history Willam Vaughan.
Introduction
1. Immanuel Kant and the bo(a)rders of art history Mark A. Cheetham
2. Art history's hegelian unconscious: naturalism as nationalism in the otherlandish painting Keith Moxey
3. Spirits and ghosts in the historiography of art Michael Ann Holly
4. Seeing signs: the use of semiotics for the understanding of visual art Mieke Bal
5. The politics of feminist art history Patricia Mathews
6. Homesexualism, gay and lesbian studies and queer theory in art history Whitney Davis
7. Phenomenology and the limits of hermeneutics Stephen Melville
8. Deconstruction and photography David Philips
9. The work of art and its beholder: the methodology and aesthetic of reception Wolfgang Kemp
10. Between art history and psychoanalysis: the methodology of the aesthetic of reception Steven Z. Levine
11. Passing between art history and post-colonial theory James D. Herbert
12. Art history and museums Stephen Bann
13. Museums and galleries as sites for artistic intervention Gerald McMaster
14. Art history's significant other ... film studies Bruce Barber
15. Interpreting the void: architecture and spatial anxiety Anthony Vidler
16. Computer applications for art history Willam Vaughan.
1. Immanuel Kant and the bo(a)rders of art history Mark A. Cheetham
2. Art history's hegelian unconscious: naturalism as nationalism in the otherlandish painting Keith Moxey
3. Spirits and ghosts in the historiography of art Michael Ann Holly
4. Seeing signs: the use of semiotics for the understanding of visual art Mieke Bal
5. The politics of feminist art history Patricia Mathews
6. Homesexualism, gay and lesbian studies and queer theory in art history Whitney Davis
7. Phenomenology and the limits of hermeneutics Stephen Melville
8. Deconstruction and photography David Philips
9. The work of art and its beholder: the methodology and aesthetic of reception Wolfgang Kemp
10. Between art history and psychoanalysis: the methodology of the aesthetic of reception Steven Z. Levine
11. Passing between art history and post-colonial theory James D. Herbert
12. Art history and museums Stephen Bann
13. Museums and galleries as sites for artistic intervention Gerald McMaster
14. Art history's significant other ... film studies Bruce Barber
15. Interpreting the void: architecture and spatial anxiety Anthony Vidler
16. Computer applications for art history Willam Vaughan.