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Greenwich Village, 1959. Claire Bishop sits for a portrait - a gift from her husband - only to discover that what the artist has actually depicted is Claire's suicide. Haunted by the painting, Claire is forced to redefine herself within a failing marriage and a family history of madness. Shifting ahead to 2004, we meet West, a young schizophrenic obsessed with a painting he encounters in a gallery: a mysterious image of a woman's suicide. Convinced it was painted by his ex-girlfriend, West constructs an elaborate delusion involving time-travel, Hasidism, art-theft, and the terrifying power of…mehr

Produktbeschreibung
Greenwich Village, 1959. Claire Bishop sits for a portrait - a gift from her husband - only to discover that what the artist has actually depicted is Claire's suicide. Haunted by the painting, Claire is forced to redefine herself within a failing marriage and a family history of madness. Shifting ahead to 2004, we meet West, a young schizophrenic obsessed with a painting he encounters in a gallery: a mysterious image of a woman's suicide. Convinced it was painted by his ex-girlfriend, West constructs an elaborate delusion involving time-travel, Hasidism, art-theft, and the terrifying power of representation. When the two characters finally meet, in the present, delusions are shattered and lives are forever changed.
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Autorenporträt
Carmiel Banasky is a writer and teacher from Portland, OR. Her work has appeared in Glimmer Train, American Short Fiction, Slice, Guernica, PEN America, The Rumpus, and NPR, among other places. She earned her M.F.A. from Hunter College, where she taught Undergraduate Creative Writing. She is the recipient of awards and fellowships from Bread Loaf, Ucross, Ragdale, Artist Trust, I-Park, and others foundations.