In the opening poem of The Surface of last Scattering, the poet asks "How shape a full-bodied intelligent speaking for an open-hearted listening?" In pursuit of the possibilities engendered by this question, Gray Jacobik writes meditative lyrics, essay-poems and prose-poems as grounded in the mind as in the body, poems that assume, and reward, an open-hearted listening. Ascribing to no one school of poetics, and no one style, Jacobik is unafraid of either spare language or a language of high color. She uses a range of resources from verisimilitude to abstraction to write poems that are at once instruments of knowing and passionate songs.…mehr
In the opening poem of The Surface of last Scattering, the poet asks "How shape a full-bodied intelligent speaking for an open-hearted listening?" In pursuit of the possibilities engendered by this question, Gray Jacobik writes meditative lyrics, essay-poems and prose-poems as grounded in the mind as in the body, poems that assume, and reward, an open-hearted listening. Ascribing to no one school of poetics, and no one style, Jacobik is unafraid of either spare language or a language of high color. She uses a range of resources from verisimilitude to abstraction to write poems that are at once instruments of knowing and passionate songs.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
GRAY JACOBIK, winner of the 1997 Juniper Prize for her book of poems The Double Task (University of Massachusetts Press, 1998) has published three other collections of poetry: Sandpainting (1980), Paradise Poems (1978), and Jane's Song (1976). An NEA fellow, her work has appeared in Kenyon Review, Ontario Review, Alaska Quarterly Review, Midwest Quarterly, Connecticut Review, Prairie Schooner, Southern Humanities Review, North American Review, and Georgia Review, among others, and her poems have been in a number of leading anthologies, such as The Best American Poetry, 1997 and Anthology of Magazine Verse and Yearbook of American Poetry.
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