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In the opening poem of The Surface of last Scattering, the poet asks "How shape a full-bodied intelligent speaking for an open-hearted listening?" In pursuit of the possibilities engendered by this question, Gray Jacobik writes meditative lyrics, essay-poems and prose-poems as grounded in the mind as in the body, poems that assume, and reward, an open-hearted listening. Ascribing to no one school of poetics, and no one style, Jacobik is unafraid of either spare language or a language of high color. She uses a range of resources from verisimilitude to abstraction to write poems that are at once instruments of knowing and passionate songs.