Romeo and Juliet, Macbeth, Richard III and many other Shakespeare plays have at least one thing in common: fight scenes, usually with swords. This book is a step-by-step guide to choreographing stage combat scenes, particularly the principal duels (both comic and tragic) in Henry IV, Henry VI, Richard III, Romeo and Juliet, Hamlet, Troilus and Cressida, Othello, King Lear, Macbeth, Coriolanus, Cymbeline and The Two Noble Kinsmen. The safety and training of actors is also covered as well as a brief history of Elizabethan swordplay. The work includes 473 illustrations.
Romeo and Juliet, Macbeth, Richard III and many other Shakespeare plays have at least one thing in common: fight scenes, usually with swords. This book is a step-by-step guide to choreographing stage combat scenes, particularly the principal duels (both comic and tragic) in Henry IV, Henry VI, Richard III, Romeo and Juliet, Hamlet, Troilus and Cressida, Othello, King Lear, Macbeth, Coriolanus, Cymbeline and The Two Noble Kinsmen. The safety and training of actors is also covered as well as a brief history of Elizabethan swordplay. The work includes 473 illustrations.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
J. D. Martinez is fight master emeritus of the Society of American Fight Directors. He lives in Lexington, Virginia.
Inhaltsangabe
Table of Contents Acknowledgements Introduction Principles Of Stage Fight Choreography Ancient History Vs. Modern Practice Safety And Training A Brief History Of Elizabethan Swordplay THE CHOREOGRAPHY Henry IV, Part 1 Douglas vs. Blunt Douglas vs. King Henry Douglas vs. Prince Henry Hotspur vs. Prince Henry Henry IV, Part 2 Falstaff vs. Pistol Henry VI, Part 1 Charles vs. Joan De Pucelle Talbot vs. Joan De Pucelle Henry VI, Part 2 Horner vs. Peter Cade vs. Iden Clifford vs. York Richard vs. Somerset Henry VI, Part 3 Richard vs. Clifford Richard III Richard vs. Richmond Romeo and Juliet Benvolio vs. Tybalt Mercutio vs. Tybalt Romeo vs. Tybalt Paris vs. Romeo Hamlet Hamlet vs. Laertes Troilus and Cressida Ajax vs. Hector Troilus vs. Diomedes Troilus vs. Ajax and Diomedes Archilles vs. Hector Menelaus vs. Paris Othello Montano vs. Cassio King Lear Cornwall and Regan vs. Servant Kent vs. Edmund Oswald vs. Edgar Edgar vs. Edmund Macbeth Macbeth vs. Young Siward Macbeth vs. Macduff Coriolanus Coriolanus vs. Aufidius Cymberline Cloten vs. Guiderius Jachicmo vs. Posthumus The Two Noble Kinsmen Palamon vs. Arcite Glossary Appendix I: The Society of American Fight Directors Appendix II: Suppliers of Stage Weapons Bibliography Index
Table of Contents Acknowledgements Introduction Principles Of Stage Fight Choreography Ancient History Vs. Modern Practice Safety And Training A Brief History Of Elizabethan Swordplay THE CHOREOGRAPHY Henry IV, Part 1 Douglas vs. Blunt Douglas vs. King Henry Douglas vs. Prince Henry Hotspur vs. Prince Henry Henry IV, Part 2 Falstaff vs. Pistol Henry VI, Part 1 Charles vs. Joan De Pucelle Talbot vs. Joan De Pucelle Henry VI, Part 2 Horner vs. Peter Cade vs. Iden Clifford vs. York Richard vs. Somerset Henry VI, Part 3 Richard vs. Clifford Richard III Richard vs. Richmond Romeo and Juliet Benvolio vs. Tybalt Mercutio vs. Tybalt Romeo vs. Tybalt Paris vs. Romeo Hamlet Hamlet vs. Laertes Troilus and Cressida Ajax vs. Hector Troilus vs. Diomedes Troilus vs. Ajax and Diomedes Archilles vs. Hector Menelaus vs. Paris Othello Montano vs. Cassio King Lear Cornwall and Regan vs. Servant Kent vs. Edmund Oswald vs. Edgar Edgar vs. Edmund Macbeth Macbeth vs. Young Siward Macbeth vs. Macduff Coriolanus Coriolanus vs. Aufidius Cymberline Cloten vs. Guiderius Jachicmo vs. Posthumus The Two Noble Kinsmen Palamon vs. Arcite Glossary Appendix I: The Society of American Fight Directors Appendix II: Suppliers of Stage Weapons Bibliography Index
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