A revelatory glimpse into the future of photography, one where the very nature of how images are created is fundamentally transformed by artificial intelligence. An invaluable roadmap in a new world.
A revelatory glimpse into the future of photography, one where the very nature of how images are created is fundamentally transformed by artificial intelligence. An invaluable roadmap in a new world.
Fred Ritchin is a writer, educator and photography critic. Currently the Dean Emeritus of the International Center of Photography (ICP) School, Ritchin was also the founding director of the Documentary Photography and Photojournalism Program at the School of ICP. Prior to joining ICP, Ritchin was professor of photography and imaging at New York University's Tisch School of the Arts and co-director of the NYU/Magnum Foundation Photography and Human Rights educational program. He has worked as the picture editor of The New York Times Magazine (1978-1982) and executive editor of Camera Arts magazine (1982-1983). Ritchin's previous publications include Bending The Frame: Photojournalism, Documentary and the Citizen and After Photography.
Inhaltsangabe
Introduction 1. Exiting the Photographic Universe 2. Synthetic Dreams: A Portfolio 3. Witnessing the World 4. Alternative Photographies 5. Authoring the Image 6. Of Peace and Healing 7. Psyche and Spirit Conclusion
Introduction 1. Exiting the Photographic Universe 2. Synthetic Dreams: A Portfolio 3. Witnessing the World 4. Alternative Photographies 5. Authoring the Image 6. Of Peace and Healing 7. Psyche and Spirit Conclusion
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