A collection of studies written over the last twenty years by the distinguished classicist Alan Sommerstein about various aspects of ancient Greek tragedy (and, in some cases, other related genres). It complements his recent collection of studies in Greek comedy, Talking about Laughter (OUP, 2009).
A collection of studies written over the last twenty years by the distinguished classicist Alan Sommerstein about various aspects of ancient Greek tragedy (and, in some cases, other related genres). It complements his recent collection of studies in Greek comedy, Talking about Laughter (OUP, 2009).Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Alan H. Sommerstein is Professor of Greek at the University of Nottingham.
Inhaltsangabe
Introduction 1: The titles of Greek dramas 2: Violence in Greek drama 3: Adolescence, ephebeia, and Athenian drama 4: Sherlockismus and the study of fragmentary tragedies 5: The seniority of Polyneikes in Aeschylus' Seven 6: The beginning and the end of Aeschylus' Danaid trilogy 7: The theatre audience, the Demos, and the Suppliants of Aeschylus 8: Sleeping safe in our beds: stasis, assassination, and the Oresteia 9: The tangled ways of Zeus 10: The omen of Aulis or the omen of Argos? 11: Pathos and mathos before Zeus 12: Oresteia Act II: two misconceptions 13: Aeschylus' epitaph 14: Dearest Haimon 15: 'They all knew how it was going to end': tragedy, myth, and the spectator 16: Alternative scenarios in Sophocles' Electra 17: Sophocles' Palamedes and Nauplius plays: no trilogy here 18: 'The rugged Pyrrhus': the son of Achilles in tragedy 19: What ought the Thebans to have done?
Introduction 1: The titles of Greek dramas 2: Violence in Greek drama 3: Adolescence, ephebeia, and Athenian drama 4: Sherlockismus and the study of fragmentary tragedies 5: The seniority of Polyneikes in Aeschylus' Seven 6: The beginning and the end of Aeschylus' Danaid trilogy 7: The theatre audience, the Demos, and the Suppliants of Aeschylus 8: Sleeping safe in our beds: stasis, assassination, and the Oresteia 9: The tangled ways of Zeus 10: The omen of Aulis or the omen of Argos? 11: Pathos and mathos before Zeus 12: Oresteia Act II: two misconceptions 13: Aeschylus' epitaph 14: Dearest Haimon 15: 'They all knew how it was going to end': tragedy, myth, and the spectator 16: Alternative scenarios in Sophocles' Electra 17: Sophocles' Palamedes and Nauplius plays: no trilogy here 18: 'The rugged Pyrrhus': the son of Achilles in tragedy 19: What ought the Thebans to have done?
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