The Technique of Orchestration, Seventh Edition, is the definitive textbook on the study of orchestration, offering a concise, straight-to-the-point approach that prepares students to score their own compositions with confidence. The updated seventh edition is supported by an accompanying workbook and a robust listening program.
The Technique of Orchestration, Seventh Edition, is the definitive textbook on the study of orchestration, offering a concise, straight-to-the-point approach that prepares students to score their own compositions with confidence. The updated seventh edition is supported by an accompanying workbook and a robust listening program.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Kent Kennan (1913-2003) was an American composer and Professor Emeritus of Music at The University of Texas at Austin. Donald Grantham is an award-winning composer and the Frank C. Erwin, Jr. Centennial Professor of Music at the University of Texas at Austin.
Inhaltsangabe
Chapter 1: Introduction Chapter 2: The Strings Chapter 3: The String Orchestra Chapter 4: Bowing and Special Effects Chapter 5: The Woodwinds Chapter 6: The Woodwind Section Chapter 7: The Horn Chapter 8: The Trumpet, Trombone, and Tuba Chapter 9: The Brass Section Chapter 10: Scoring Chords for Each Section and for Orchestra Chapter 11: Problems in Transcribing Piano Music Chapter 12: Scoring for Woodwinds, Horns, and Strings Chapter 13: The Percussion: Instruments of Definite Pitch Chapter 14: The Percussion: Instruments of Indefinite Pitch Chapter 15: The Harp, Celesta, and Piano Chapter 16: Scoring for Full Orchestra Chapter 17: Special Devices Chapter 18: Infrequently Used Instruments Chapter 19: Scoring for High School Orchestra Chapter 20: Preparing Score and Parts Chapter 21: Nonorchestral Instrumental Groups Appendix A: List of Foreign Names for Instruments and Orchestral Terms Appendix B: Ranges of Instruments Appendix C: Electronic Instruments Appendix D: Vocal and Choral Range Bibliography Index
Chapter 1: Introduction Chapter 2: The Strings Chapter 3: The String Orchestra Chapter 4: Bowing and Special Effects Chapter 5: The Woodwinds Chapter 6: The Woodwind Section Chapter 7: The Horn Chapter 8: The Trumpet, Trombone, and Tuba Chapter 9: The Brass Section Chapter 10: Scoring Chords for Each Section and for Orchestra Chapter 11: Problems in Transcribing Piano Music Chapter 12: Scoring for Woodwinds, Horns, and Strings Chapter 13: The Percussion: Instruments of Definite Pitch Chapter 14: The Percussion: Instruments of Indefinite Pitch Chapter 15: The Harp, Celesta, and Piano Chapter 16: Scoring for Full Orchestra Chapter 17: Special Devices Chapter 18: Infrequently Used Instruments Chapter 19: Scoring for High School Orchestra Chapter 20: Preparing Score and Parts Chapter 21: Nonorchestral Instrumental Groups Appendix A: List of Foreign Names for Instruments and Orchestral Terms Appendix B: Ranges of Instruments Appendix C: Electronic Instruments Appendix D: Vocal and Choral Range Bibliography Index
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