The Telecard Affair - Wilson, Gerard Charles
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In October 2000, The Canberra Times broke a story about the misuse of Liberal MP Peter Reith's government funded Telecard. (Note: The Liberal Party is one of the two main conservative political parties in Australia). The card was for member's personal use to have access to a public telephone when no other telephone was available. Mobile phones at the time were not in common use. Unauthorized calls to the tune of $50,000 had been rung up on the Workplace Relations Minister's Telecard after he had given his son, Paul Reith, the card's PIN in contravention of the Remuneration Tribunal's…mehr

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Produktbeschreibung
In October 2000, The Canberra Times broke a story about the misuse of Liberal MP Peter Reith's government funded Telecard. (Note: The Liberal Party is one of the two main conservative political parties in Australia). The card was for member's personal use to have access to a public telephone when no other telephone was available. Mobile phones at the time were not in common use. Unauthorized calls to the tune of $50,000 had been rung up on the Workplace Relations Minister's Telecard after he had given his son, Paul Reith, the card's PIN in contravention of the Remuneration Tribunal's guidelines. For more than two weeks the media was in uproar, smelling the blood of a hardnose conservative politician. Editorial writers, political commentators, and radio talkback hosts charged Reith with the Telecard's misuse. This was another case, they said, of a rorting politician coming to grief over his all too frequent nose in the trough. The author took a different view. In the opening chapter of The Telecard Affair: Diary of a Media Lynching Second Edition, he writes: 'While the media and the Labor Party had Peter Reith battered and strung up as a public warning, I will argue that the Telecard Affair is not about former Workplace Relations Minister, Peter Reith. It is not about MPs' rorts. It is not about the usual 'snouts in the trough.' It is essentially about the media as the sharpest corrupting influence in our social and political life. It is about those media groups who function as amoral commercial enterprises. It is about journalists who betray their calling and are seduced, or coerced, by people who rule themselves according to their materialist objectives. It is about the slow death of public justice.' The Telecard Affair was a paradigm case of the media's irresponsible and ideologically driven misuse of their disproportionate power in the state. The author's analysis of the media's reporting of the Telecard Affair is unrelenting and targets some well-known media figures. He has undertaken a thorough revision of the text and added further comment to the political uproar of twenty-three years ago.
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Autorenporträt
After a lifetime working in the book business (mostly educational publishing) I now concentrate on my writing. One of my formative experiences was living in Holland with my Dutch wife for two and a half years. On returning to Australia, I completed a major in Dutch Language and Literature before a master's degree in philosophy. My studies and immersion in another culture and language, together with my Catholic faith, form the biggest influences on my writing. But shaping those influences are my mother and father. One could not have more principled parents. My master's thesis was on Edmund Burke whose thought permeates my writing. My preoccupations are social and cultural from a Catholic and (Burkean) conservative perspective. This reflects my acceptance of the Catholic idea of the reciprocal relationship between faith and reason. My favourite fiction authors are Charles Dickens, Jane Austen, and Evelyn Waugh. Evelyn Waugh's style and mastery of English have been my biggest influence - not in vain, I hope. My favourite modern non-fiction author is philosopher Roger Scruton. I spend my leisure time reading and occasionally walking along the nearby shores of Port Phillip Bay. I love opera, musicals, and the ballet (The Nutcracker is my favourite.) I enjoy fifties rock 'n' roll and forties big band. Mozart is my favourite classical composer, but I am acquiring a liking for Bach. My novels are in the genre of the 'Catholic novel'. They are in the style of Catholic novelists Evelyn Waugh, Grahame Greene, and Morris West. I deal with similar political, philosophical, and moral issues. The difference from general fiction is the assumed philosophical framework. Most modern fiction assumes a materialist framework while the Catholic novel assumes a natural law framework (See the 'Catholic Novel' page on my website.) Finally, there is always a romantic content in my stories. Love relationships are an incisive way of exploring the human person.