The Tempest: Critical Tradition increases our knowledge of how Shakespeare's plays were received and understood by critics, editors and general readers. The volume offers, in separate sections, both critical opinions about the play across the centuries and an evaluation of their positions within and their impact on the reception of the play. The volume features criticism from key literary figures, such as Ben Jonson, Samuel Taylor Coleridge, John Dryden, John Ruskin and Edward Malone. The chronological arrangement of the text-excerpts engages the readers in a direct and unbiased dialogue,…mehr
The Tempest: Critical Tradition increases our knowledge of how Shakespeare's plays were received and understood by critics, editors and general readers. The volume offers, in separate sections, both critical opinions about the play across the centuries and an evaluation of their positions within and their impact on the reception of the play. The volume features criticism from key literary figures, such as Ben Jonson, Samuel Taylor Coleridge, John Dryden, John Ruskin and Edward Malone. The chronological arrangement of the text-excerpts engages the readers in a direct and unbiased dialogue, whereas the introduction offers a critical evaluation from a current stance, including modern theories and methods. Thus the volume makes a major contribution to our understanding of the play and of the traditions of Shakespearean criticism surrounding it as they have developed from century to century.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Brinda S. L. Charry is Associate Professor of English at Keene State College in New Hampshire, USA. She is the author of The Arden Guide to Renaissance Drama: An Introduction with Primary Sources (The Arden Shakespeare, 2017) and The Tempest: Language and Writing (The Arden Shakespeare, 2013).
Inhaltsangabe
GENERAL EDITORS' PREFACE PERMISSIONS ACKNOWLEDGEMENTS I INTRODUCTION II THE CRITICAL TRADITION 1. EDMOND MALONE date of composition 1790 2. WILLIAM TAYLOR as tragicomedy 1795 3. GEORGE CHALMERS New World voyages 1795 4. EDMOND MALONE Virginia Voyages 1808 5. AUGUST WILHELM SCHLEGEL as poetry 1809-11 6. SAMUEL TAYLOR COLERIDGE commentary 1811-12 7. WILLIAM HAZLITT commentary 1817 8. EDMOND MALONE Caliban as savage 1821 9. CHARLES LAMB The Tempest staged 1822 10. ANNA JAMESON on Miranda 1832 11. SAMUEL TAYLOR COLERIDGE as romantic drama 1836 12. THOMAS CAMPBELL Shakespeare as Prospero 1838 13. JOSEPH HUNTER the Mediterranean 1839 14. WASHINGTON IRVING The Tempest and America 1840 15. PATRICK MACDONNELL on Caliban 1840 16. CHARLES KNIGHT commentary 1843 17. HERMANN ULRICI the wonderful and the real 1846 18. W.J. BIRCH religion 1848 19. JOHN RUSKIN slavery 1872 20. DANIEL WILSON Caliban as the 'missing link' 1873 21. EDWARD DOWDEN Shakespeare as Prospero 1875 22. A.C. SWINBURNE commentary 1880 23. FRANCES ANNE KEMBLE commentary 1882 24. HORACE HOWARD FURNESS on Caliban 1895 25. GEORGE BERNARD SHAW review 1897 26. RUDYARD KIPLING commentary 1898 27. FRANK BRISTOL The Tempest and America 1898 28. LUCE MORTON commentary 1901 29. ASHLEY THORNDIKE the influence of Beaumont and Fletcher 1901 30. EVERETT EDWARD HALE commentary 1903 31. W.W. NEWELL The Tempest and folk tale 1903 32. MAX BEERBOHM theater review 1903 33. A.C. BRADLEY the transitory nature of things 1904 34. BROOKE STOPFORD commentary 1905 35. LYTTON STRACHEY Shakespeare's final period 1906 36. HENRY JAMES commentary 1907 37. SIDNEY LEE The Tempest and America 1907 38. WALTER RALEIGH Shakespeare's last phase 1907 39. JOHN CHURTON COLLINS Christian symbolism 1908 40. F.H. RISTINE tragi-comedy 1910 41. SIDNEY LEE Caliban as a Native American 1913 42. RACHEL KELSEY New World influences 1914 43. ARTHUR QUILLER-COUCH the first performance 1917 44. CHARLES GAYLEY political ideas 1917 45. JOHN REA Erasmus' influence on the storm scene 1919 46. ERNEST LAW the Blackfriars Theatre 1920 47. COLLIN STILL as allegory 1921 48. JOSE ENRIQUE RODÓ Ariel and Caliban as symbols 1922. 49. RICHARD NOBLE songs 1923 50. ENID WELSFORD the court masque 1927 51. E.K. CHAMBERS sources 1930-31 52. WILSON KNIGHT tempests and music 1932 53. E.M.W. TILLYARD commentary 1936 54. JOHN MIDDLETON MURRY nurture and change 1936 55. F.R. LEAVIS reality 1942 56. THEODORE SPENCER ordering of characters 1942 57. WILSON KNIGHT commentary 1947 58. G.E. BENTLEY the Blackfriars Theatre 1948 59. JAMES NOSWORTHY structure and sources 1948 60. DEREK TRAVERSI artistic and moral purpose 1949 61. NEVILL COGHILL Christian myth 1950 62. FRANK KERMODE commentary 1954 III SELECT BIBLIOGRAPHY Index
GENERAL EDITORS' PREFACE PERMISSIONS ACKNOWLEDGEMENTS I INTRODUCTION II THE CRITICAL TRADITION 1. EDMOND MALONE date of composition 1790 2. WILLIAM TAYLOR as tragicomedy 1795 3. GEORGE CHALMERS New World voyages 1795 4. EDMOND MALONE Virginia Voyages 1808 5. AUGUST WILHELM SCHLEGEL as poetry 1809-11 6. SAMUEL TAYLOR COLERIDGE commentary 1811-12 7. WILLIAM HAZLITT commentary 1817 8. EDMOND MALONE Caliban as savage 1821 9. CHARLES LAMB The Tempest staged 1822 10. ANNA JAMESON on Miranda 1832 11. SAMUEL TAYLOR COLERIDGE as romantic drama 1836 12. THOMAS CAMPBELL Shakespeare as Prospero 1838 13. JOSEPH HUNTER the Mediterranean 1839 14. WASHINGTON IRVING The Tempest and America 1840 15. PATRICK MACDONNELL on Caliban 1840 16. CHARLES KNIGHT commentary 1843 17. HERMANN ULRICI the wonderful and the real 1846 18. W.J. BIRCH religion 1848 19. JOHN RUSKIN slavery 1872 20. DANIEL WILSON Caliban as the 'missing link' 1873 21. EDWARD DOWDEN Shakespeare as Prospero 1875 22. A.C. SWINBURNE commentary 1880 23. FRANCES ANNE KEMBLE commentary 1882 24. HORACE HOWARD FURNESS on Caliban 1895 25. GEORGE BERNARD SHAW review 1897 26. RUDYARD KIPLING commentary 1898 27. FRANK BRISTOL The Tempest and America 1898 28. LUCE MORTON commentary 1901 29. ASHLEY THORNDIKE the influence of Beaumont and Fletcher 1901 30. EVERETT EDWARD HALE commentary 1903 31. W.W. NEWELL The Tempest and folk tale 1903 32. MAX BEERBOHM theater review 1903 33. A.C. BRADLEY the transitory nature of things 1904 34. BROOKE STOPFORD commentary 1905 35. LYTTON STRACHEY Shakespeare's final period 1906 36. HENRY JAMES commentary 1907 37. SIDNEY LEE The Tempest and America 1907 38. WALTER RALEIGH Shakespeare's last phase 1907 39. JOHN CHURTON COLLINS Christian symbolism 1908 40. F.H. RISTINE tragi-comedy 1910 41. SIDNEY LEE Caliban as a Native American 1913 42. RACHEL KELSEY New World influences 1914 43. ARTHUR QUILLER-COUCH the first performance 1917 44. CHARLES GAYLEY political ideas 1917 45. JOHN REA Erasmus' influence on the storm scene 1919 46. ERNEST LAW the Blackfriars Theatre 1920 47. COLLIN STILL as allegory 1921 48. JOSE ENRIQUE RODÓ Ariel and Caliban as symbols 1922. 49. RICHARD NOBLE songs 1923 50. ENID WELSFORD the court masque 1927 51. E.K. CHAMBERS sources 1930-31 52. WILSON KNIGHT tempests and music 1932 53. E.M.W. TILLYARD commentary 1936 54. JOHN MIDDLETON MURRY nurture and change 1936 55. F.R. LEAVIS reality 1942 56. THEODORE SPENCER ordering of characters 1942 57. WILSON KNIGHT commentary 1947 58. G.E. BENTLEY the Blackfriars Theatre 1948 59. JAMES NOSWORTHY structure and sources 1948 60. DEREK TRAVERSI artistic and moral purpose 1949 61. NEVILL COGHILL Christian myth 1950 62. FRANK KERMODE commentary 1954 III SELECT BIBLIOGRAPHY Index
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