The Ternary Distinction of Film Music - Angeles Mphil Ascap, Gaspara Cailléz
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The author addresses the problematic categorization of film music in terms of the reductive diegetic/nondiegetic binary distinction. Caillez Angeles reconstructs the binary to establish a new tripartite schema that subsumes ambiguous classifications of film music that remain sitting outside and within the binary regions. Following the law of parsimony, the schema proffers a new way to organize film music without destabilizing categorial logic.

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Produktbeschreibung
The author addresses the problematic categorization of film music in terms of the reductive diegetic/nondiegetic binary distinction. Caillez Angeles reconstructs the binary to establish a new tripartite schema that subsumes ambiguous classifications of film music that remain sitting outside and within the binary regions. Following the law of parsimony, the schema proffers a new way to organize film music without destabilizing categorial logic.
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Autorenporträt
Influenced by nineteenth century Eduard Hanslick, the author creates music based on objective tonality. Her interest in picture music as a function in feature films to serve cinematic needs and invoke objective assessments from the audio-viewer is therefore well-founded.