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The Text in Play interrogates theatrical creativity by focusing on how twentieth-century playwrights have incorporated scenes of rehearsal into their dramatic texts. Contemporary theoretical perspectives, principally from Brecht, Bahktin, and Barthes, are used to analyze a series of avant-garde plays whose dramatization of the messiness and flux of rehearsal creativity serves to destabilize yet also invigorate their theatrical potentials.
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Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.