This book explores the many different ways that we can understand the concept of "literary influence," considering both the pressures exerted upon a work at the time of its creation as well as the pressures that continue to be exerted upon it and that it in turn exerts upon other works in the course of its literary or performance history.
This book explores the many different ways that we can understand the concept of "literary influence," considering both the pressures exerted upon a work at the time of its creation as well as the pressures that continue to be exerted upon it and that it in turn exerts upon other works in the course of its literary or performance history.
Produktdetails
Produktdetails
The Fairleigh Dickinson University Press Series on Shakespeare and the Stage
Joseph Candido is professor of English at the University of Arkansas. He has published extensively on Shakespeare and Renaissance drama, particularly the history plays, and is the editor of the King John volume in the Athlone Press series Shakespeare: The Critical Tradition (1996).
Inhaltsangabe
Acknowledgments Introduction Joseph Candido 1.The Ends of Time in Marlowe's Doctor Faustus Rebecca Bushnell 2.Marlowe in Edward II: Lender or Borrower? Brian Vickers 3.Edward II in Performance from the 1980s to the Present David Bevington 4.The Transitory Playhouse: The Theatre, Rose, and Fortune S. P. Cerasano 5.Shakespeare and his Fellows: Honored at Somerset House? Leeds Barroll 6.Richard II on Screens Peter Holland 7.The (Mis)fortunes of Falstaff in Performance James C. Bulman 8.How the Noble Spanish Soldier Describes a Battle Lois Potter 9.The Staging of the Problematic Attempted Rape Scene of The Two Gentlemen of Verona as the Culmination of the Play's Anti-Romantic Thematic Concerns R. W. Desai 10.Across the Narrow Sea: The 1620 Leipzig Volume of English Plays June Schlueter 11.Shakespearean Comedy and the Boundaries of Europe Michael Dobson 12.George Wither's Response to Othello David M. Bergeron 13.Jonson's Epigrams and the Learned Critics Peter E. Medine Appendix: Charles R. Forker: A Bibliography of Published Works (1958-2014) Bibliography List of Contributors Index
Acknowledgments Introduction Joseph Candido 1.The Ends of Time in Marlowe's Doctor Faustus Rebecca Bushnell 2.Marlowe in Edward II: Lender or Borrower? Brian Vickers 3.Edward II in Performance from the 1980s to the Present David Bevington 4.The Transitory Playhouse: The Theatre, Rose, and Fortune S. P. Cerasano 5.Shakespeare and his Fellows: Honored at Somerset House? Leeds Barroll 6.Richard II on Screens Peter Holland 7.The (Mis)fortunes of Falstaff in Performance James C. Bulman 8.How the Noble Spanish Soldier Describes a Battle Lois Potter 9.The Staging of the Problematic Attempted Rape Scene of The Two Gentlemen of Verona as the Culmination of the Play's Anti-Romantic Thematic Concerns R. W. Desai 10.Across the Narrow Sea: The 1620 Leipzig Volume of English Plays June Schlueter 11.Shakespearean Comedy and the Boundaries of Europe Michael Dobson 12.George Wither's Response to Othello David M. Bergeron 13.Jonson's Epigrams and the Learned Critics Peter E. Medine Appendix: Charles R. Forker: A Bibliography of Published Works (1958-2014) Bibliography List of Contributors Index
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