Andere Kunden interessierten sich auch für
![Vietnam and the Colonial Condition of French Literature]( "Vietnam and the Colonial Condition of French Literature")
Vietnam and the Colonial Condition of French Literature76,99 €![Textual Studies and the Enlarged Eighteenth Century]( "Textual Studies and the Enlarged Eighteenth Century")
Textual Studies and the Enlarged Eighteenth Century145,99 €![The Routledge Concise History of Nineteenth-Century Literature]( "The Routledge Concise History of Nineteenth-Century Literature")
The Routledge Concise History of Nineteenth-Century Literature182,99 €![Celestina and the Human Condition in Early Modern Spain and Italy]( "Celestina and the Human Condition in Early Modern Spain and Italy")
Celestina and the Human Condition in Early Modern Spain and Italy129,99 €![Reified Life: Speculative Capital and the Ahuman Condition]( "Reified Life: Speculative Capital and the Ahuman Condition")
Reified Life: Speculative Capital and the Ahuman Condition142,99 €![Literature and Medicine in the Nineteenth-Century Periodical Press]( "Literature and Medicine in the Nineteenth-Century Periodical Press")
Literature and Medicine in the Nineteenth-Century Periodical Press136,99 €![The Seamy Side: A Story of the True Condition of Things Theatrical]( "The Seamy Side: A Story of the True Condition of Things Theatrical")
The Seamy Side: A Story of the True Condition of Things Theatrical35,99 €
In this important new book, Guy and Small develop a new account of literary creativity in the late nineteenth century, one which combines concepts generated by text-theorists concerning the embodied nature of textuality with the empirical insights of text-editors and book historians. They pay particular attention to the theoretical relationship between a work and its versions, examining how an understanding of the history of a work 's textual embodiments has implications for how critics value and identify it. Examining poetry, fiction, non-fictional prose and drama, this volume addresses complex questions about the nature of literary value and the formation of the canon through a discussion of textual materiality rather than materialism or ideology (as has habitually been the case).