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This book uses a clear and accessible voice to situate Maxwell's work within the context of contemporary American culture and international theatre practice. Through a close reading of theatre productions and plays, Gorman identifies how Maxwell renders the conventions of both realist theatre and everyday American culture strange. Touching upon the acting, production, and rehearsal processes of NYC Player's work, and Maxwell's representations of space, community, race, and gender, this volume provides scholars with an important overview of a key figure in contemporary drama.

Produktbeschreibung
This book uses a clear and accessible voice to situate Maxwell's work within the context of contemporary American culture and international theatre practice. Through a close reading of theatre productions and plays, Gorman identifies how Maxwell renders the conventions of both realist theatre and everyday American culture strange. Touching upon the acting, production, and rehearsal processes of NYC Player's work, and Maxwell's representations of space, community, race, and gender, this volume provides scholars with an important overview of a key figure in contemporary drama.
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Autorenporträt
Sarah Gorman is Principal Lecturer in Drama, Theatre & Performance Studies at Roehampton University, London. Her research focuses on contemporary European and North American experimental theatre. She has recently contributed to Making Contemporary Theatre: International Rehearsal Processes and A Concise Companion to British and Irish Drama.