A comprehensive study of Suzuki, Japan's best-known director, including in-depth descriptions of his most acclaimed productions.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Ian Carruthers has taught in the Theatre and Drama Department of La Trobe University since 1985.
Inhaltsangabe
List of illustrations Acknowledgements List of abbreviations Chronology Introduction: Suzuki's work in the context of Japanese Theatre Takahashi Yasunari 1. Rethinking Japanese theatre: cracking the codes Ian Carruthers 2. Inaugurating an age of decentralisation Ian Carruthers 3. Suzuki training: the sum of the interior angles Ian Carruthers 4. Adaptations of Japanese classics: On the Dramatic Passions II and John Silver Ian Carruthers 5. Suzuki's Euripides (I): The Trojan Women Ian Carruthers 6. Suzuki's Euripides (II): The Bacchae Ian Carruthers 7. Suzuki's Chekhov: The Chekhov and Ivanov Ian Carruthers 8. Suzuki's Shakespeare (I): Macbeth Ian Carruthers 9. Suzuki's Shakespeare (II): King Lear Takahashi Yasunari Notes Select bibliography Index.
List of illustrations Acknowledgements List of abbreviations Chronology Introduction: Suzuki's work in the context of Japanese Theatre Takahashi Yasunari 1. Rethinking Japanese theatre: cracking the codes Ian Carruthers 2. Inaugurating an age of decentralisation Ian Carruthers 3. Suzuki training: the sum of the interior angles Ian Carruthers 4. Adaptations of Japanese classics: On the Dramatic Passions II and John Silver Ian Carruthers 5. Suzuki's Euripides (I): The Trojan Women Ian Carruthers 6. Suzuki's Euripides (II): The Bacchae Ian Carruthers 7. Suzuki's Chekhov: The Chekhov and Ivanov Ian Carruthers 8. Suzuki's Shakespeare (I): Macbeth Ian Carruthers 9. Suzuki's Shakespeare (II): King Lear Takahashi Yasunari Notes Select bibliography Index.
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