In this book Pallasmaa progresses his case for a multi-sensory approach to architecture, espoused in The Eyes of the Skin , by taking a wider view of the role of embodiment in human existential reactions, experiences and expressions as well as the processes of making and thinking.
In this book Pallasmaa progresses his case for a multi-sensory approach to architecture, espoused in The Eyes of the Skin , by taking a wider view of the role of embodiment in human existential reactions, experiences and expressions as well as the processes of making and thinking.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Juhani Pallasmaa is one of Finland's most distinguished architects and architectural thinkers. His previous positions include: Rector of the Institute of Industrial Arts, Helsinki; Director of the Museum of Finnish Architecture, Helsinki; and Professor and Dean of the Faculty of Architecture, Helsinki University of Technology. He has also held visiting professorships in several universities internationally. Pallasmaa is the author/editor of 24 books, including The Eyes of the Skin: Architecture and the Senses (Academy, 1995 and John Wiley & Sons, 2005), The Architecture of Image: Existential Space in Cinema (Helsinki, 2001) and Encounters (Helsinki, 2005).
Inhaltsangabe
Introduction: Embodied Existence and Sensory Thought 010 Chapter One: The Mysterious Hand 024 The Multiple Essences of the Hand What is the Hand? Hand, Eye, Brain and Language Hand as Symbol Gestures of the Hand Languages of the Hand Chapter Two: The Working Hand 046 The Hand and the Tool The Hand of the Craftsman Collaborative Craftsmanship Architecture as Workmanship Chapter Three: Eye-Hand-Mind Fusion 070 Experimentation and the Art of Play Skill and Boredom Eye, Hand and Mind Chapter Four: The Drawing Hand 088 Drawing and the Self Tactility of Drawing The Computerised Hand Primacy of Touch: Hapticity of Self-image Unconscious Touch in Artistic Experience Chapter Five: Embodied Thinking 106 Creative Fusion The Work of Thinking: The Value of Uncertainty Resistance, Tradition and Freedom Thinking Through the Senses Embodied Memory and Thought Existential Knowledge Chapter Six: Body, Self and Mind 122 The Body as Site The World and the Self The World and the Mind Existential Space in Art Chapter Seven: Emotion and Imagination 130 Reality of Imagination The Gift of Imagination Reality of Art Art and Emotion Artistic Experience as Exchange Chapter Eight: Theory and Life 140 Theory and Making Opposition of Theory and Making Architecture as Image of Life The Task of Art Index 153 Photo credits 159
Introduction: Embodied Existence and Sensory Thought 010 Chapter One: The Mysterious Hand 024 The Multiple Essences of the Hand What is the Hand? Hand, Eye, Brain and Language Hand as Symbol Gestures of the Hand Languages of the Hand Chapter Two: The Working Hand 046 The Hand and the Tool The Hand of the Craftsman Collaborative Craftsmanship Architecture as Workmanship Chapter Three: Eye-Hand-Mind Fusion 070 Experimentation and the Art of Play Skill and Boredom Eye, Hand and Mind Chapter Four: The Drawing Hand 088 Drawing and the Self Tactility of Drawing The Computerised Hand Primacy of Touch: Hapticity of Self-image Unconscious Touch in Artistic Experience Chapter Five: Embodied Thinking 106 Creative Fusion The Work of Thinking: The Value of Uncertainty Resistance, Tradition and Freedom Thinking Through the Senses Embodied Memory and Thought Existential Knowledge Chapter Six: Body, Self and Mind 122 The Body as Site The World and the Self The World and the Mind Existential Space in Art Chapter Seven: Emotion and Imagination 130 Reality of Imagination The Gift of Imagination Reality of Art Art and Emotion Artistic Experience as Exchange Chapter Eight: Theory and Life 140 Theory and Making Opposition of Theory and Making Architecture as Image of Life The Task of Art Index 153 Photo credits 159
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