The Third Space serves a crucial need for contemporary performers by providing an interdisciplinary and physiovocal approach to training.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Robert Lewis is a Lecturer in Performing Arts at Charles Sturt University, Australia. He is also a director, writer, voice and movement teacher, and voice coach. He is a graduate of NIDA, UTAS, RMIT, and Monash University and completed a Certification of Integrative Studies at the One Voice Centre.
Inhaltsangabe
Introduction. Part 1: The Third Space 1. The Human Voice in Crisis 2. Intercultural Influences 3. Related Work 4. The Self, Centre, and Beyond Part 2: The First Space: Relationship to Self and Centre 5. Integrative Patterns 6. The Active Centre Part 3: The Second Space: Your Relationship to Your Outer, and Imagination 7. Physiovocal Shape Qualities 8. Physiovocal Shape Forms and Space 9. Putting into Practice: Savages Part 4: The Third Space: Your Relationship to Everything 10. Training Background 11. The Walks 12. Imagery 13. Post-Verbal 14. Putting into Practice: Dr Faustus, 5, The Oedipus Project, and Iam Nocte. Conclusion. References and Bibliography
Introduction. Part 1: The Third Space 1. The Human Voice in Crisis 2. Intercultural Influences 3. Related Work 4. The Self, Centre, and Beyond Part 2: The First Space: Relationship to Self and Centre 5. Integrative Patterns 6. The Active Centre Part 3: The Second Space: Your Relationship to Your Outer, and Imagination 7. Physiovocal Shape Qualities 8. Physiovocal Shape Forms and Space 9. Putting into Practice: Savages Part 4: The Third Space: Your Relationship to Everything 10. Training Background 11. The Walks 12. Imagery 13. Post-Verbal 14. Putting into Practice: Dr Faustus, 5, The Oedipus Project, and Iam Nocte. Conclusion. References and Bibliography
Introduction. Part 1: The Third Space 1. The Human Voice in Crisis 2. Intercultural Influences 3. Related Work 4. The Self, Centre, and Beyond Part 2: The First Space: Relationship to Self and Centre 5. Integrative Patterns 6. The Active Centre Part 3: The Second Space: Your Relationship to Your Outer, and Imagination 7. Physiovocal Shape Qualities 8. Physiovocal Shape Forms and Space 9. Putting into Practice: Savages Part 4: The Third Space: Your Relationship to Everything 10. Training Background 11. The Walks 12. Imagery 13. Post-Verbal 14. Putting into Practice: Dr Faustus, 5, The Oedipus Project, and Iam Nocte. Conclusion. References and Bibliography
Introduction. Part 1: The Third Space 1. The Human Voice in Crisis 2. Intercultural Influences 3. Related Work 4. The Self, Centre, and Beyond Part 2: The First Space: Relationship to Self and Centre 5. Integrative Patterns 6. The Active Centre Part 3: The Second Space: Your Relationship to Your Outer, and Imagination 7. Physiovocal Shape Qualities 8. Physiovocal Shape Forms and Space 9. Putting into Practice: Savages Part 4: The Third Space: Your Relationship to Everything 10. Training Background 11. The Walks 12. Imagery 13. Post-Verbal 14. Putting into Practice: Dr Faustus, 5, The Oedipus Project, and Iam Nocte. Conclusion. References and Bibliography
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