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The Thirty Years' Wars explores the limits of liberalism even as it exposes the fault lines of reaction and offers a clarifying view of the contours of revolutionary aspirations. Pull at one thread and there is the cord that stretches from Johnson to Nixon, from Carter to Reagan to Clinton. Pull at another and there are the hopes of rebels from Chicago to Chiapas. Kopkind never condescends - not to those whom liberals love to call victims, and not to Reagan's children. Nor does he ghettoize his subjects. In the mix we get street-fighting and Woodstock, state terror and Olympic spectacle,…mehr

Produktbeschreibung
The Thirty Years' Wars explores the limits of liberalism even as it exposes the fault lines of reaction and offers a clarifying view of the contours of revolutionary aspirations. Pull at one thread and there is the cord that stretches from Johnson to Nixon, from Carter to Reagan to Clinton. Pull at another and there are the hopes of rebels from Chicago to Chiapas. Kopkind never condescends - not to those whom liberals love to call victims, and not to Reagan's children. Nor does he ghettoize his subjects. In the mix we get street-fighting and Woodstock, state terror and Olympic spectacle, Christian soldiers and gay soldiers, blue collars, red banners and some white flags. Life as it is experienced. As a gay man whose theme was always, in one way or another, the contest between freedom and chains, Kopkind well understood that there is no pure realm of the personal. History kicks up fights and carnivals both - you'd best get in it.
Autorenporträt
Andrew Kopkind was born in 1935, the only child of a Republican father and a mildly socialist mother. He studied philosophy at Cornell, earned a graduate degree from the London School of Economics and seemed to be on his way as a comfortable fifties' era journalist – for The Washington Post, then Time – when history intervened. As a writer for The New Republic in the mid-sixties, he introduced the SNCC workers of the South and the SDS organizers of the North to a national liberal audience. He became US correspondent to the New Statesman, wrote famously uncompromising essays for The New York Review of Books and was a founder of Mayday (later Hard Times), a newsletter that both shaped and was shaped by the radical politics of the era.