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The Time of the Crime explores the undoing of the detective genre in the Italian art cinema of the sixties and seventies, using an approach that combines psychoanalysis, phenomenology, and aesthetics to redefine the task of film criticism.

Produktbeschreibung
The Time of the Crime explores the undoing of the detective genre in the Italian art cinema of the sixties and seventies, using an approach that combines psychoanalysis, phenomenology, and aesthetics to redefine the task of film criticism.
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Autorenporträt
Domietta Torlasco is Assistant Professor in the Department of French and Italian at Northwestern University.