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Martyn Crucefix's new poems vividly evoke the landscapes of northern England and-in a sequence of sonnets inspired by the writing of Rosalía de Castro-the north west of Spain. But more than place, they explore the ways in which we inhabit time-how we are harmed and healed by it, how we deny, ignore, sublimate, repeat or reprise it. I'd want to say it was past seven o'clock or perhaps by then even seven-fifteen- I'm sure of it now-a quarter past the hour was the time we turned and part of what it meant ('The map house')

Produktbeschreibung
Martyn Crucefix's new poems vividly evoke the landscapes of northern England and-in a sequence of sonnets inspired by the writing of Rosalía de Castro-the north west of Spain. But more than place, they explore the ways in which we inhabit time-how we are harmed and healed by it, how we deny, ignore, sublimate, repeat or reprise it. I'd want to say it was past seven o'clock or perhaps by then even seven-fifteen- I'm sure of it now-a quarter past the hour was the time we turned and part of what it meant ('The map house')
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Autorenporträt
Martyn Crucefix has won numerous prizes including a major Eric Gregory award and a Hawthornden Fellowship. He has published five collections of poetry, including 'Hurt' (Enitharmon, 2010). His translation of Rilke's 'Duino Elegies' was shortlisted for the 2007 Popescu Prize for European Poetry Translation and hailed as "unlikely to be bettered for very many years" (Magma). His translation of Rilke's 'The Sonnets to Orpheus' appeared in 2012 and 'A Hatfield Mass' was published by Worple Press in 2014.'