At the end of the First World War, countries across Europe participated in an unprecedented ritual in which a single, anonymous body was buried to symbolize the overwhelming trauma of the battlefields; The Tomb of the Unknown Soldier explores the creation and reception of this symbolic national burial as an emblem for modern mourning.
At the end of the First World War, countries across Europe participated in an unprecedented ritual in which a single, anonymous body was buried to symbolize the overwhelming trauma of the battlefields; The Tomb of the Unknown Soldier explores the creation and reception of this symbolic national burial as an emblem for modern mourning.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Introduction PART ONE: Anonymity and Sacrifice 1. Introduction: The Return of the Dead 1. A Unanimous Idea 2. Unanimity and confused bones 3. The origins of the Unknown Soldier 4. The primal scene 2. Identification and Chorality 1. Bones manifest themselves 2. Recognition, or reaching across the divide of living and dead 3. Sculpted water 4. A silent inscription 3. Sacrifice and the non finito 1. Taking up anonymity 2. Absolution 3. Initiation PART TWO: Embodiment and Spectacle 4. Introduction: The Undead Body, The Photographic Image, and the Religious Icon 1. Embodiment and Imbestiamento 2. Trauma and animality 3. The symbolic journey 4. The darkness within 5. Mutilation and Spectacle 1. Phantom pain, mutilation, and repetition 2. Touching the absent body: the "Banner of Randaccio" 3. Transmitting the experience of death: Promethean fire 6. Mourning Transcendence and Reenchanting the Flesh 1. Confronting Mortality 2. Mourning Transcendence 3. Modernity and the Mystical Body Conclusion Bibliography Notes Illustrations
Introduction PART ONE: Anonymity and Sacrifice 1. Introduction: The Return of the Dead 1. A Unanimous Idea 2. Unanimity and confused bones 3. The origins of the Unknown Soldier 4. The primal scene 2. Identification and Chorality 1. Bones manifest themselves 2. Recognition, or reaching across the divide of living and dead 3. Sculpted water 4. A silent inscription 3. Sacrifice and the non finito 1. Taking up anonymity 2. Absolution 3. Initiation PART TWO: Embodiment and Spectacle 4. Introduction: The Undead Body, The Photographic Image, and the Religious Icon 1. Embodiment and Imbestiamento 2. Trauma and animality 3. The symbolic journey 4. The darkness within 5. Mutilation and Spectacle 1. Phantom pain, mutilation, and repetition 2. Touching the absent body: the "Banner of Randaccio" 3. Transmitting the experience of death: Promethean fire 6. Mourning Transcendence and Reenchanting the Flesh 1. Confronting Mortality 2. Mourning Transcendence 3. Modernity and the Mystical Body Conclusion Bibliography Notes Illustrations
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