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The Tragical History of Doctor Faustus - Marlowe, Christopher
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Written by Christopher Marlowe, The Tragical History of Doctor Faustus was written sometime between 1589 and 1592. It is based on German stories about the title character, Faust in which a man sells his soul to the devil for power and knowledge. The play narrates the story of a highly intelligent and ambitious German scholar who decides that he wants more from life than he currently has. He feels he has learned all he can about medicine, law and logic and that the only way forward for him is to learn magic. The play ends with a brief funeral for Faustus and a moral ending by the chorus that…mehr

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Produktbeschreibung
Written by Christopher Marlowe, The Tragical History of Doctor Faustus was written sometime between 1589 and 1592. It is based on German stories about the title character, Faust in which a man sells his soul to the devil for power and knowledge. The play narrates the story of a highly intelligent and ambitious German scholar who decides that he wants more from life than he currently has. He feels he has learned all he can about medicine, law and logic and that the only way forward for him is to learn magic. The play ends with a brief funeral for Faustus and a moral ending by the chorus that warns audiences to beware of Faustus's fate. Doctor Faustus was first performed in 1592 and is considered one of Marlowe's most significant plays. It includes a number of themes, symbols and other literary devices and is generally seen as a blend between a tragedy and a cautionary tale.
Autorenporträt
Dramatist, son of a shoemaker at Canterbury, where he was born, was educated at the King's School there, and in 1581 went to Benet's (now Corpus Christi) College, Cambridge, where he graduated B.A. 1583, and M.A. in 1587. Marlowe shunned a life as a clergyman which university wits like himself were expected to follow, and moved to London to pursue the insecure craft of a playwright. Among his early plays were 'Tamburlaine the Great' and 'The Famous Tragedy of the Rich Jew of Malta', all well-received by Elizabethan audiences and displaying an impressive poetic talent that was bold enough to use high-quality blank verse for the first time in English theatre. He collaborated with friend and literary colleague, William Shakespeare, on 'Henry VI' and 'Titus Andronicus' and his influence on Shakespeare is seen in the latter's restrained use of rhyme in 'Richard III'. Traditional rhyme was eschewed by Marlowe in preference for blank verse, over which he acquired a constantly increasing mastery.