The second of two volumes, this book explores how artefacts, as outcomes of experience brought about by the 'artistranslator' perform semiotic work.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Madeleine Campbell teaches at Edinburgh University. Her transdisciplinary research spans arts-informed language education, experiential translation and creativity. Publications include The Experience of Translation (2024), "The multimodal translation workshop as a method of creative inquiry - acousmatic sound, affective perception and experiential literacy" (2024) and Translating across Sensory and Linguistic Borders (2019). She is Co-Investigator of the AHRC-funded Experiential Translation Network (ETN). Profile: https://www.research.ed.ac.uk/en/persons/madeleine-campbell Ricarda Vidal is Senior Lecturer at King's College London and Principal Investigator of the AHRC-funded Experiential Translation Network (www.experientialtranslation.net). As researcher, text-maker and curator, she explores the multimodal aspects of communication across perceived cultural and/or linguistic divides. Recent publications include The Experience of Translation (2024), Translating across Sensory and Linguistic Borders (2019), Home on the Move (2019), and the bookwork series Revolve:R (2011-2023). Profile: https://www.researchgate.net/profile/Ricarda-Vidal-2
Inhaltsangabe
Prelude. Cultural Artefacts and Experiential Translation: An Entangled Experience. Chapters Overview Section 1: Rituals and Transformation 1. Translating the Anthropocene: Ulrike Almut Sandig's "In die Natur" and Robin Wall Kimmerer's Braiding Sweetgrass as Planetary Eco-translation Practices 2. Translation for Women, Women for Translation: Experiential Translation in North India's Sanjhi 3. Translating a Countermonument: Reflections on the translation process of a community-focus artistic project into a short-story collection Section 2: Sites and Sounds 4. The National Covid Memorial Wall as a Translation Site 5. Museum of Monologues: Contemporary theatre as a form of urban translation 6. Translating the City: Performing Translation in the Digital Era Section 3: Bodies in Time 7. Constructing the Afterlives of Objects: Experiential Translation in Contemporary Saudi Female Artworks 8. Translating Fairytales through Women's Bodies 9. Translating migration experiences: perception as the act of translation 10. Never at Sea: Translating embodied experiences of forced migration through image, object and sound.
Prelude. Cultural Artefacts and Experiential Translation: An Entangled Experience. Chapters Overview Section 1: Rituals and Transformation 1. Translating the Anthropocene: Ulrike Almut Sandig's "In die Natur" and Robin Wall Kimmerer's Braiding Sweetgrass as Planetary Eco-translation Practices 2. Translation for Women, Women for Translation: Experiential Translation in North India's Sanjhi 3. Translating a Countermonument: Reflections on the translation process of a community-focus artistic project into a short-story collection Section 2: Sites and Sounds 4. The National Covid Memorial Wall as a Translation Site 5. Museum of Monologues: Contemporary theatre as a form of urban translation 6. Translating the City: Performing Translation in the Digital Era Section 3: Bodies in Time 7. Constructing the Afterlives of Objects: Experiential Translation in Contemporary Saudi Female Artworks 8. Translating Fairytales through Women's Bodies 9. Translating migration experiences: perception as the act of translation 10. Never at Sea: Translating embodied experiences of forced migration through image, object and sound.
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